The Drunk and The Babes!

It's 1943 and Baseball in the states has been decimated by all the men being called up to join the services. Enter the ladies who themselves help to kick start a womens league to keep the Baseball fires burning.

The first thing any prospective first time viewer of this piece should note, is that it's not actually a film about Baseball. It's about friendships, challenges and differing off shoots to the complications of war, it just so happens that it's the game of Baseball that brings it all together!

Directed by Penny Marshall (Big), screenplay by Lowell Ganz & Babaloo Mandel (City Slickers/Parenthood) and featuring Tom Hanks (wonderful as drunken coach Dugan) as the leading male, it's no surprise that "A League Of Their Own" booms with sentiment and no little amount of comedy. It is to me a very rewarding picture, the sort that wants you to chuckle along with it whilst noting the need for human interaction during a troubled time.

The lady actors do great impressions of bona fide athletes, asked to parade in short skirts and entertain the watching public, these gals, led by the always engaging Geena Davis, deliver a sparky picture that never veers into maudlin territory. There are of course some sombre moments, but they are placed nicely by Marshall in the context of the films' events, never trite, they serve more as tender vignettes to run alongside the frivolity on offer.

Ultimately "A League Of Their Own" has achieved its aims come the final credits, its not taxing and its not purporting to be an intelligent look at a period in history. It's asking us the viewers to feel heartened by what we just watched, and just maybe to give those girls back in the 1940s a piece of our respect, job done. 7/10

A good film that doesn't quite make great to me for its unfocused nature and the misfire of Dottie as the protagonist, as great as Geena Davis is. Tom Hanks is a gem, of course, really owning the scumbag drunk energy and doing more to sell Jimmy's growth than the script does, and the cast is all charming and hard hitting. But the film is most interesting when it confronts the sexism of the fond, how they'd use women for profit one second then try and put them back in the kitchen the next. How opportunities for these white women didn't equal the same for black women. How this is a dream for character like Kit and Mae and Doris and they carved out a space in a time trying it's hardest not to let them. I was tearing up at the reprisal of their league song, of the community of it. Which is why Dottie, who's arc is ultimately just 'admits she wants this experience for a year but it's just something to look back on after going home with her husband and having kids' is such a mischoice as protagonist. There's strong potential here, and I hope the 2022 show capitalizes on it.