An oversized alligator from the sewers of Chicago breaks loose

RELEASED IN 1980 and directed by Lewis Teague, "Alligator" chronicles events in Chicago after a baby alligator is flushed down the toilet and mutates to great size from eating chemically contaminated dog carcasses in the sewers. A policeman (Robert Forster) and a beautiful reptile expert (Robin Riker) team-up to track down the beast when it escapes the sewers and preys on citizens.

“Alligator” is kind of boring for the first half hour or so, but the last hour perks up and generally keeps your attention. Unlike "Jaws" (1975), which is completely serious and scary, most adults won't take "Alligator" too seriously or find it remotely scary. In fact, I busted out laughing numerous times when the creature would attack people. Speaking of which, you'll sometimes hear Jaws-imitation suspense music as the creature approaches its prey. Some viewers understandably compare "Alligator" to another “Jaws” rip-off flick, "Piranha" (1978), but that movie’s all-around more entertaining.

What makes "Alligator" mandatory is the awe-inspiring Robin Riker, who doesn't appear until half an hour into the story. From thereon she's featured prominently. Robin was 28 during shooting but possesses such a mature and classy air that she seems at least 35. While I’m on the subject, watch out for the blonde reporter in a red jacket and jeans at about the halfway point (43 minutes). Like Robin, she has an exquisite buttocks sculptured by God Himself.

There are also some highlights that you won’t likely see in pictures nowadays. For instance, a kid gets chewed up in a suburban pool. And a “great white hunter” (Henry Silva) amusingly corrals three black dudes in the urban jungle to assist him in his hunt. Of course this wouldn’t be “politically correct” today.

THE MOVIE RUNS 87 minutes and was shot in Los Angeles and the Los Angeles River. WRITER: John Sayles.

GRADE: B-