Luis Zahera is amazing. I have really come to feel authentic overwhelmed with the role he plays. For the rest, I found it a bit boring and the ending did not convince me.

I don't know French and without subtitles you don't understand half of the movie. a disaster

I don't know French and without subtitles you don't understand half of the movie. a disaster

Neighbor horror with a touch of xenophobia, toxic masculinity and blind optimism. A tense and frustrating watch! The tension is almost unbearable, it is maintained throughout and you don't really get an ounce of satisfaction—is that good or bad? I don't know but it's masterful that's for sure and clearly the intent of the filmmaker. That being said, I still wanted a little bit of satisfaction.

This Spanish thriller is separated into two parts, before a certain event and then after. I can't decide which of the two I liked more but the two of them combined is what elevates this. There's always a feeling of looming threat, you never know when someone will get jumped. Great performances from everyone. One very thrilling scene but otherwise this is very slow-paced. Everything looks so dirty and it almost smells through the TV. The daughter was an excellent addition, her scenes with the mother were some of my favorites.

Neighbors, land, money and deep Galicia, an explosive cocktail. The rural world is not Arcadia.

A minimalistic and slow-paced rural thriller that, nonetheless, manages to subtly sow a noteworthy amount of subtext and references for a surprisingly rich harvest in its second half. Despite explaining little and showing off very little, it manages to strike with remarkable tension and charm, leaving a lasting impression on the audience.

The film practices the exercise of increasing tension in which the director feels comfortable, but makes a brave turn in which the point of view is broken, causing less physical but more suffocating anguish. There are great moments in sequence shots that allow the actors to demonstrate their commitment to their characters, and an intelligent reflection on utopias and realities, on empty Spain and irrational hatred. Which places it along with "Speak no evil" as the two most disturbing representations about the human being that have been made this year.