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Bait Poster

Bait

NR
Movie
2019
1h 29m
English
Drama
Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
Rating
WATCHMODE
6.9
IMDB
Bait (2019) on IMDb
CRITIC SCORE
92

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Edward Rowe
Martin Ward
Mary Woodvine
Sandra Leigh
Giles King
Steven Ward
Chloe Endean
Wenna Kowalski
Janet Thirlaway
Mrs. Peters
Martin Ellis
Billy Ward
Jowan Jacobs
Hugo Leigh
Georgia Ellery
Katie Leigh
Stacey Guthrie
Liz Stewart
Tristan Sturrock
Brian Rikard
Directed By: Mark Jenkin
Written By: Mark Jenkin (Screenplay)

Featured Comments/Tips

Billy B says...
4 years ago
Wow wow wow wow wow. This one really blew me away. Bait is a film that has to be seen to be believed. It’s also one that I can genuinely say is like no other I think I’ve ever seen before. If there are future directors who will reference Mark Jenkin’s offbeat masterpiece as one of their inspirations to make films, I wouldn’t at all be surprised. Not just because of the unique nature of it’s experimental camerawork and sound editing, but also because of it’s social and political importance. Being a British film made in 2019 and dealing with topics like class conflict, it’s no surprise that parallels are going to be drawn with recent events. Br*xit is never explicitly mentioned in the dialogue, save for some background talk on the radio, but the influence of such affairs is clearly felt. What Jenkins has achieved here is, in my opinion, true genius. I can’t wait to see what he does next, and I’m sure I’ll find myself revisiting Bait time and time again.
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miguelreina says...
4 years ago
A fisherman without a boat. A fishing boat for tourists. Brexit. Class conflicts. Outstanding B/W. Deep close-ups. Off-sync dialogues. There is an anachronistic tone that is both surprising and fascinating. "I'm talkin 'about fishing, not fucking hospitality". An excellent editing job. Intriguing use of sound. An experimental exploration of handmade cinema.
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