Barbarian is a very well crafted film that mostly rises above the current crop of 'male feminist allies letting everyone know they get it' horror in the vein of Alex Garland's Men by taking a more incisive and damning approach highlighting not primal male nature but choice and self delusion and gratification. Justin Long's AJ is just top notch detestable in all too human and real ways, almost a deconstruction of the Bojack Horseman archetype (coming from someone who loved that show). No amount of heartfelt monologues and self loathing and declarations of change will actually get him to change, it'll just affect how he spins the story into not being his fault. And the line drawn between that and the movie's more conventional, monstrous, and 'standard' villain behind it all is brutal. It makes no illusions about how they're of the same kind behind the words, how rarely they face consequences, the trauma and destruction they leave in their wake.

The focus given to this does mean that sadly Tessa's arc doesn't fully stick the landing as well. A shame, cause Campbell is excellent at getting to root for her. Tessa is not a stereotype in either direction, either as the helpless waif or the badass who turns the table on the monster. She's a woman who makes the difficult choice to leave a bad relationship and try to change things for the better, who is understandably suspicious of her accidental 'roommate' but also can't help but be giddy when they start to connect. Campbell portrays all these complexities with a vulnerability that is impossible to look away from, and she shines in the first act.

In particular, I love how she acts like a real person would: with a mix of smart decisions and panicked ones. She comes up with smart ideas, like illuminating dark tunnels before going in, but in her terror she forgets things, or her heart sends her back to help. It's not a rebuke of horror movie cliches so much as a fond engagement with them, especially when it's contrasted with AJ's nonstop stupid choices motivated by desperate greed and petulance. It goes to show that character driven actions are the key, and that 'cliche' doesn't equal 'bad' if you have a knowing point with it. But it's also when AJ enters that Tessa's story falls off a bit.

It becomes less about her and more about contrasting her to the men. The climax doesn't really tie into where she started- leaving a toxic and maybe even emotionally abusive relationship- so much as having what AJ lacks: empathy. Empathy is what allows her to face the tragic monster on its own terms, in a kill that's as much a mercy as it is for her own escape. But it leaves her story lacking a certain finish that could've really elevated her character.

But again, they nail what they're going for with AJ. And for a movie that's often in the dark, it's never ineligible. The dark conceals just enough to keep the suspense going, and provide glimpses of the oncoming danger far more effective than any jump scare. The film's general avoidance of them really keeps the suspense up, avoiding the pressure valve release they bring for much more fun ones like some delightful cuts and Justin Long's great expressions and delivery. While not without some flaws, Barbarian is a great film well worth the watch and more than worthy of fitting into anyone's October.