I recall being at a lunch once with a fairly prominent British sport's commentator who had started out on the radio, but moved onto television. The hardest thing, he said, about the new medium was to adapt to the fact that it did much of the heavy lifting for you - you had to train yourself to let it. Mary Pickford - who won an Oscar for this - still wanted to be a silent film star here. She couldn't quite let the dialogue do her heavy lifting for her - and the result is an over-cooked performance that at time borders on the hysterical. It is a simple enough story - her father (John St. Polis) has aspirations for his family, and they don't include his daughter marrying "Michael Jeffrey" (Johnny Mack Brown). He forbids them from seeing one and other, and though obedient for a time, that doesn't last and they rendezvous - a meeting that has dire consequences. It's very theatrical in presentation. The first few scenes almost have you looking for their cue marks on the carpet - especially those featuring her amiable young brother "Jimmy" (William Janney) and her would-be beau "Stanley" (Matt Moore). It isn't a great play, so the film has little substantial to work with, but as a piece of embryonic speech cinema history it is certainly worth a watch, but I doubt anyone involved would consider it they best work - more a work in progress.

Oh. Mary Pickford's first talking film, a box office hit, an Oscar winner, an instant classic and _totally annoying_. Besides being a plain and rather lame adaptation of the play, this is one of those movies made to display Pickford and Pickford alone, giving the audience no rest from the extremely whiny Norma. The secondary characters have so few lines each, that they are unable to balance her out and sort of just fade into the backround. Even Norma's love interest and his rival are written to be forgotten, and the short smiles brought on by Jimmy and Julia are quickly clouded by Norma again when Pickford reclaims the limelight.
There was a lot of care put into the production of this movie, and it is part of the big transition from silent to talking pictures, featuring a huge star and filmed in an iconic studio. This is a historically significant film, and there are many technical reasons to watch it, but all of those still do not make this a pleasant experience. That is not to say Pickford didn't transition well - I quite enjoyed The Taming of the Shrew, for example -, only that this particular piece just isn't a very good one.