A radical reinterpretation of a pivotal year in the life of the illustrious Princess Sissi, whose portrayal as a chronically depressed manipulator struggling against social expectations adds a captivating layer of complexity. The deliberate inclusion of anachronistic elements, such as diegetic pop songs and contemporary props like fire extinguishers or plastic buckets, raises intriguing questions about the timeless nature of women's issues. Perhaps it suggests that Sissi possessed a sensibility that defied the conventions of her era. While this gimmick may erroneously draw comparisons to Coppola's Marie Antoinette, the film distinguishes itself through its subtle and austere delivery.

Although not particularly fond of this style of directing, I found the film to be overall satisfying, albeit lacking a lasting impression.