I love the ‘90s: the era, the music. The more a movie can act as a time capsule for the decade, the more I love it.
_Empire Records_ does not do this. It feels very much like a confused ‘80s movie trying to play grunge dress up. It really does come across like a John Hughes movie, painted with a coat of Seattle grey. _Singles_, _Reality Bites_, _The Craft_, these are true ‘90s movies.
_Empire Records_, on the other hand, is as much a '90s movie as _Clueless_ (released the same year). Yeah, they both happened to be released during the decade, but you change the soundtrack (which, for _Empire Records_, is very weak), and clothing (again, _Empire Records_ feels like mall grunge rather than a thrift store) and they could exist during any period.
Anyway, more of a rant, rather than a review. The movie itself is pretty boring. It takes place, mostly, during a single day. The characters are all annoying in their own way. The acting is all pretty subpar, except for Renee Zellweger (who I honestly though, up until this very moment, was Joey Lauren Adams), and Robin Tuney, who came to play. The fourth-wall breaks don’t help, in fact, they only serve to take me out of the moment and remind me that I am watching a movie... a shitty movie, at that.
Harsh criticism aside, there is a charm to the movie, and I could understand why some people would like it. I was full of teenage angst when the movie was released, and now I'm bored and old. In other words, a '90s movie that feels like a stage play just doesn't appeal to me. However, while watching it, I can get sucked into entertaining moments.

**An animated film, full of rebellion and energy.**

Remember the stores that sold music records and CDs? There are still some, and the rebirth of vinyl, very recent, has allowed a certain rebirth of the commercial sector, somewhat in response to the massification and popularization of music in “streaming” and digital downloads that we already have as something common in our lives. This film is about a store open 24 hours a day, with spaces to sell and listen to music. It is managed by young people, with young employees, an idiot owner and a manager who dreams of buying the space. It turns out that one of the employees decided to go to a casino and lost all the money saved for that project.

The action takes place the day after the incident. In addition to the fate of the store and its employees, which is at stake, each one lives their own story, has characteristics and personality. Incidentally, the entire construction and development of the story and characters is one of the most positive aspects of the film. We have a young teenager who particularly wants to lose her virginity but has serious problems with amphetamines, an aspiring art major, a crook with a complicated childhood, a liberal girl who seems to particularly enjoy sexual adventures, a crazy rocker. In addition to the employees, we also have a former musical star who decides to go there to promote a new CD and cause some funny problems.

The film has an impressive cast, and it's worth seeing who the actors are and where they are today. We understand well that each one wanted to make the best use of this opportunity. Contrary to what the posters suggest, Liv Tyler, who is the daughter of a rock musician, has a character without a leading role, but does an excellent job, even acting opposite her (then) stepfather, Coyote Shivers. Rory Cochrane, Renée Zellweger and Ethan Embry are also here, and each of them does a very competent job. Despite the centrality of his character, Anthony La Paglia does not steal the spotlight for himself and shares our attention with his co-stars generously and doing a very well done job. We also have Robin Tunney, bald and rebellious, Debi Mazar and Johnny Whitworth. The less sympathetic roles go to Max Caulfield and Ben Bode, and they're refreshingly comic.

On a technical level, what stands out positively is the enormous animation of the film. There are no dead moments. The story is constructed in such a way as to give us a kind of moral about the brevity of life and the need to take advantage of the time, live life, even taking risks and making mistakes. Added to this is a strident soundtrack, full of strength, where rock predominates and emanates energy, positivity and rebelliousness. The songs used here are well known and fans of the rock genre will love it. Incidentally, the albums released with the soundtrack were a success, in absolute contrast to the film itself, which failed in cinemas, was bombed by critics and only acquired a certain popularity and public recognition in much more recent years. Perhaps it was simply ahead of its time.