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Intolerance: Love's Struggle Throughout the Ages

Movie
1916
3h 17m
NR
English
Drama, History
User Score: 
7.5
Critic Score: 
98
Intolerance Loves Struggle Throughout the Ages' Poster
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
Intolerance Loves Struggle Throughout the Ages Poster

Intolerance: Love's Struggle Throughout the Ages

NR
Movie
1916
3h 17m
English
Drama, History
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
Rating
WATCHMODE
7.5
IMDB
Intolerance: Love's Struggle Throughout the Ages (1916) on IMDb
CRITIC SCORE
98

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Brown Eyes' Father (French Story)
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The Rhapsode (Babylonian Story)
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Directed By: D.W. Griffith
Written By: Tod Browning (Screenplay), Anita Loos, + 1 more

Featured Comments/Tips

nmahoney416 says...
4 years ago
I had to watch this to finish the AFI top 100 list and it is not an easy watch. As a piece of history I can appreciate it but as a movie I did not enjoy it. It has a large scale for the time and it is impressive.
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trusfrated_inspired says...
2 years ago
I didn't know I was actually going to be emotionally invested in a black and white silent movie. To be honest I was a bit lost in the beginning of the film, but then as soon as I got used to its storytelling and editing styles, it became very interesting to watch. It was so satisfying when the four stories came together at the end. And the battle/fight scenes and the feast scenes are just so, so impressive.
Like  -  Dislike  -  Comment  -  000
soonertbone says...
one year ago
As epic as they come–that Babylon set was nuts. While I wish this had been an hour shorter, I appreciated the rhythm and the movement of this movie. It felt symphonic to me: the steady bass line of the “Eternal Motherhood,” the different storylines being played like different instruments contributing to a common theme, and playing off of each other throughout to the crescendo of the final conclusion. When I read that Griffith didn’t intend for the film to be an apology for “Birth,” it struck me as a huge narcissistic reaction to criticism. (“I’m not racist, you’re racist.”) But ultimately here the filmmaking can’t be denied, and I’d include this over the former in any "Top X" list.
Like  -  Dislike  -  Comment  -  000

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