_For never was a story of more woe than this of Adam Scott and his agent._

There's a reason the term "Straight To Netflix" has been coined. For years, it seemed Netflix would become the answer to cable television and multi-chain theaters; everyone would switch to digital streaming services and all new films and long form shows would be watched via the internet. Only one little problem: a lot of the content being dumped onto these platforms are total garbage. I had no interest in checking this out, as I had already seen the original The Omen in theaters, but my father wanted to try it out, so why not. Trust me, all you'll be greeted to is an abhorrent display of mediocrity. Eli Craig may have put out one successful horror comedy, Tucker & Dale vs. Evil, which critics began to quickly overpraise the talent presented. little evil is one of the most forgettable and plagiarist amateur pieces I've sat through. When the film isn't directly ripping the montages from Edgar Wright's films, it's copying the scripts from Silent Hill and a bevy of other better projects. It's downright jarring to see a very polished quick location switch montage borrowed from Shaun Of The Dead in the midst of all these other film school-tier shots. Shots will be digitally all in focus, no depth of field to speak of, very poor framing of actors (see Adam Scott in the car at beginning), no real artistic vision to speak of. It's like a second unit director, whom are usually out to get pick up shots, was given the reigns to shoot the main pieces. And the slog of a joyless and heavy on annoyance script doesn't at all overcome the lackluster presentation. It tries to be clever by throwing in a couple twists at the end but fails miserably at developing any tension. I get the idea is they want this to be a comedy, with a couple scary bits being the undertone, but the humor is the most sassy blackcent shit ever, most relying on this hideously ear-grating co-worker who's throw in for no reason other than "comic relief." The creators were hoping that would be the driving force, since they forgot to make the child at all intimidating. Nothing they do works; when they try bad CG demon composites (few and far between), it looks too cheesy to startle or disturb, and the poor little actor just doesn't have an intimidating appearance to fool you. No set-ups or pay-offs to speak of, the mother is the most worthless, disposable, underdeveloped, totally avoided plot device in a recent motion picture. Nothing that captures your little imagination, it's honestly draining to watch. You see every moment coming, just, whatever, fuck this movie and Netflix for approving this kind of soulless nonsense to continue parading around on the platform for suckers to sap into. People wonder why I have such a vendetta against the company, their originals like this is why. I'm so confused how people can look at by-the-numbers dreck such as little evil and just shrug, meanwhile lampooning and attacking other bigger budgeted films with much more artistic merits. Priorities are so backwards.