It is ironic that whilst Walt Disney is probably best known for his animated features, if ever there was a film that best represents the qualities of a Disney film, it is this largely live-action film. Poppins has an episodic feel to it, but crucially these adventures are held together by a strong central plot and thematic core that elevate it to a higher level. It is the standard by which family films should be judged, providing a compelling yet slightly different experience for both adults and children. It would take an incredibly cynical adult not to be moved by Tomlinson's transformation and dawning realisation of what is important in life, and the moment when his son presses tuppence into his hand is a beautiful moment. This film is one of the best representations of what childhood should mean, exploring its imagination and wonder, yet reminding the audience of its fleeting nature and what is really important in life. With a score including songs this good and varied, ranging from catchy and fun to incredibly moving (just hearing the "Feed the Birds" theme is enough to bring a lump to one's throat) and nigh on perfect casting, regardless of Van Dyke's accent, there is a timeless quality to the film. Dated effects only serve to accentuate this. Despite the success of the film, that a sequel or remake has never been produced is probably a good thing - it is difficult to imagine how the film could be bettered and, for several generations since the film was made, Julie Andrews simply IS and always will be Mary Poppins.