Beginning with Kenneth Branagh's second decade as a filmmaker, I suggest he became an industry workhorse. He acted in many films and directed several, all with varying results in quality. Most pointedly, few felt like they were personal projects for 15 years. For example, his direction of **THOR** is at the pleasure of Kevin Feige, the head of Marvel Films. I argue that **MURDER ON THE ORIENT EXPRESS is personal**. I believe that the "Shakespeare" guy believed he could create the "Agatha Christie" equivalent of the Marvel Universe. As of this writing, he has returned a second film, **DEATH ON THE NILE**. There are at least 30 more Hercule Poirot novels remaining for potential sequels. Likely, we won't see a third unless the second proves to be successful.

_ORIENT EXPRESS_ received a lukewarm reception - a tepid selection of both audience and critics who find the film neither superior or horrible. But I am committed. I find this classic story delivered through modern technology is beautiful, fun and entertaining. It remains quaint and intimate even as computer generated matte paintings create the stunning atmospheric vistas. I even find the film quite open to repeated viewings.

The beautiful color and imagery is supported by a score by Branagh's friend and musical voice, Patrick Doyle. The two feed off each other - Doyle's assertive and aggressive compositions uniquely mimic Branagh's earnest storytelling. In other words, it is rarely quiet.

Starting with **MUCH ADO ABOUT NOTHING**, Branagh does a lot of stunt casting. This time may just take the cake. Every performer is an A-player and each is given at least one scene to chew a bit of the scenery. Make no mistake about it, this story is a tour de force for the role of Hercule Poirot. Branagh's performance of the Belgian super-sleuth is quite fun, beginning on one of the greatest character introductions in the decade.

If critical and box office is a good reflection, its a fifty fifty shot whether you will enjoy Branagh's **MURDER ON THE ORIENT EXPRESS**. To be fair, most of the negative reviews I see are written by someone who is comparing this film to the 1974 star-studded telling. Those would rather you look up that version (where you will likely not know many of that _star studded_ cast)