It takes quite a while to get going and the film is firmly rooted in the 80s, not just from a storyline perspective, but also in terms of its production. The only meaningful female role is poorly developed, although Young does her best with what she has and the relationship between her and Costner feels forced. The score is also dreadful. But once the main plot kicks in, this becomes an intriguing conspiracy thriller as Costner attempts to stay one step ahead of the investigation he is heading. Hackman is surprisingly low-key here, but Will Patton as his right-hand man and Costner's main antagonist is good value. It is also a film that is defined by its great ending, a scene that is surprisingly low-key in its delivery, but works extremely well in the context of the overall film. It's a shame that repeat viewings don't really offer much to reevaluate characters and plot points as a result but it still makes for a clever resolution.