_Pieces of a Woman_ is an emotional drama dealing with grief, loss, womanhood, and broken familial relations. This film is a devastating and realistic portrayal of people hurting each other after a tragic loss because they don’t know how to cope with loss and pain. Such a difficult topic, so authentically realized into cinematography.

The first 30 minutes of this movie are actually perfect. The filmmaking and performances are so powerfully done, making the opening scene really engaging. Even though I knew what was coming, I was just 'glued' to the screen throughout that entire long take. Truly never seen anything like it. The audience is experiencing everything with the characters as they experience it. Unfortunately after that, things fall off a bit, the film turns to a cliché family gathering and trial. Lots of the choices work really well, but it still felt like they went a little overboard with the melodrama.

Vanessa Kirby’s performance was just flawless. Shia’s, on the other hand, felt very... well, Shia. He was good but not very memorable and not different to how he has portrayed characters in many other films. I get that the movie focuses on the female side of grief, but I don’t know why they had to include the themes of sobriety and addiction. There was a half-hearted attempt to show an addict relapsing and then Shia LaBeouf's character was pushed aside and never returns. This felt unfinished.

This is very much an actor's showcase but aside from Vanessa Kirby, other actors don’t have much to work with. Even Ellen Burstyn is misused. I wanted to see more of how a mother is not able to help her daughter during such a difficult time. I also didn't really understand the importance of Sarah Snook's character. She basically played Shiv Roy 2.0. The story would have stayed exactly the same if she had been removed. The script just doesn’t take time to explore the different characters.

_Pieces of a Woman_ really doesn't bring anything to the table apart from the acting and directing. But it's certainly a gripping drama. Not a lot of movies portray such an intimate perspective of grief like this one.

A frustrating watch, mostly because a couple of poor choices make this film way worse than it should be.
It probably will get nominated for best acting, and that’s well deserved, as the two leads are excellent.
A lot has been said about the first thirty minutes, and while I agree that it’s a great showcase for the director and Vanessa Kirby, it’s a scene that didn’t need to be there, let alone be thirty minutes.
Why? Well, it’s dramatically unengaging, nothing interesting or extraordinary happens until the last two minutes, and as a result it tanks the pacing of the rest of the film.
Setting that scene aside, the film quickly develops into a sufficient, albeit fairly predictable drama.
I think it would’ve been creatively more interesting to focus on the conflict of grieving internally vs our human need for blaming someone, which is only briefly explored in the scenes with Ellen Burstyn.
This whole family grievance plot has been done to death, and the film fails to find a unique angle on it.
As for the characters, they do have arcs, but it should’ve been handled more efficiently.
Dramatically, it would’ve been so much interesting to delve a little more into the characters before the thirty minute scene, so that we’d have a good sense of who these people are before they get depressed.
All in all, it feels like a film that should’ve had a few more revisions during preproduction.

4/10

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I’ve never seen a movie from Kornél Mundruczó, but Pieces of a Woman started getting the usual awards buzz that comes with this time of the year. Once Netflix grabbed the distribution rights, it was just a matter of time until I got the chance to watch yet another Oscar-bait. I didn’t really think about it nor created any sort of expectations besides hoping it would be good. Vanessa Kirby (Mission: Impossible - Fallout, Hobbs & Shaw) and Shia LaBeouf (Honey Boy) are the protagonists of a story that will connect with many people around the world, especially couples who went through the same situation. I’ll write it straight away: it’s undoubtedly one of the best films I’ve seen this past year.

How does it stand in comparison with the other marvelous movies? I’ll have to think about it when organizing my Top10, but Pieces of a Woman possesses the best opening act I’ve seen in quite a long time. For thirty full minutes (even before the title card shows up), an entire birth scene is delivered through excruciatingly long, uninterrupted takes, which ultimately make the whole sequence feel like a phenomenal oner. Technically, the entire film is brilliantly directed by Mundruczó, who takes advantage of the superb cinematography from Benjamin Loeb and Howard Shore’s beautiful score to offer the viewer an emotionally powerful viewing experience.

As fantastic as the technical attributes may be, Kata Wéber’s exceptionally well-written, detailed screenplay is really elevated by the incredible cast, notably its leads. Without the shadow of a doubt, Vanessa Kirby gives her career-best performance, demonstrating an emotional range I genuinely believed she didn’t have. Martha’s arc ends up being a tad predictable and formulaic as some other characters’ arcs and portions of the narrative, but I never felt less invested in the story due to that. In fact, I can’t remember the last movie that brought tears to my eyes before the end of the first act, which serves as a statement of the film’s realism and authenticity.

Shia LaBeouf might have also delivered his best interpretation ever, even though I truly love a couple of his past displays. Once again, the actor brings his A-game, demonstrating the talented acting skills that make him one of the most underrated actors working today, in my opinion. A particular aspect of Sean’s arc left me a bit dubious of its necessity and/or importance to the narrative, but just like Kirby’s character, I was always interested in their path. Molly Parker is also excellent as the midwife involved in the tragedy, while Ellen Burstyn portrays Martha’s mother, Elizabeth, leaving me deeply surprised by her outstanding performance. 88 years old… Magnificent.

Despite the highly expected developments and respective conclusions, the ending shares a touching revelation involving a particular trait from Kirby’s character that hit me really hard. The best aspect of the entire movie has a negative side effect, though. After such a mesmerizing, powerful, shocking first act, the rest of the film never quite reaches the same level of investment and immersiveness that the initial thirty minutes are packed with. Don’t get me wrong, it’s still a remarkably captivating narrative, filled with significant messages of forgiveness, acceptance, fairness, and another take on the “moving on” matter.

It will be extremely hard to watch for many people, but it’s that realistic environment that left me speechless and surprisingly emotional right from the get-go. It might not be a movie that I’ll rewatch countless times or even recommend to every single reader. Nevertheless, Pieces of a Woman carries an undeniably impactful story that tons of viewers will share a deep connection with, which every filmmaker tries hard to accomplish. Ultimately, concerning my Top10, it will come down to how much I value its immense quality vs. its low replay value.

All in all, Pieces of a Woman becomes a worthy awards contender, holding one of the best opening acts of the last few years. With astonishing direction from Kornél Mundruczó, the first thirty minutes are packed with extreme levels of anxiety and stress due to the emotionally shocking birth sequence, which is played out through excruciatingly long takes. Vanessa Kirby and Shia LaBeouf deliver their career-best performances, handling extensive monologues effortlessly, but it’s the former who leaves me mind-blowed at her emotional range, which induced tears in my eyes even before the title card. Kata Wéber’s exceptional screenplay is brought to life in a remarkably authentic, immersive manner, leaving me incredibly captivated by its characters, despite the formulaic and predictable arcs. Huge praise to Howard Shore’s wonderful score, and Benjamin Loeb’s terrific camera work, as well as Molly Parker and Ellen Burstyn’s excellent displays. I highly recommend it to anyone who’d love to watch an emotionally investing story with phenomenal acting but be advised: it can extremely hard to watch at times.

Rating: A-

I feel like I can’t review “Pieces of a Woman” without first addressing the elephant in the room: the horrific and violent abuse claims against lead actor Shia LaBeouf. They’re so bad that Netflix has taken the man’s name off most ads for the film and, especially considering the subject matter, it seems appropriate. LaBeouf gives an absolutely heartbreaking performance, but the allegations surrounding the actor make some of the material feel very upsetting (in particular, a scene where LaBeouf’s character tries to force unwanted sex on his partner). But to dismiss this film would be unfair to the those who worked so hard both in front of and behind the camera.

The film tells the story of Martha (Vanessa Kirby) and her partner Sean (LaBeouf) over the course of a year, set off by the new mother’s home birth that ends in an unthinkable tragedy at the hands of a flustered midwife (Molly Parker). The grief begins to overwhelm the young couple, who are coping in very different ways. The first part of the movie highlights the deep love between the two but as the months tick on, their relationship become more fractured. Making things worse is Martha’s domineering mother Elizabeth (Ellen Burstyn), who never liked Sean and sees her daughter as a failure.

Director Kornél Mundruczó has fashioned a gripping portrait of loss and grief that rests firmly on Kirby’s shoulders. She gives a raw, physical and emotional performance that is truly outstanding. She and Burstyn create a realistic family dynamic which finally explodes when Martha and Elizabeth have a tense standoff over dinner. Mom wants her daughter to deal with the tragedy head-on instead of continuing to bury the pain. It’s one of the strongest scenes in the film, and the two actors make it unforgettable.

The film has a melancholy atmosphere and tone that complements the subject matter. Everything is increasingly bleak and drab as Martha and Sean continue to make a series of bad-to-worse decisions and behaviors that eventually destroy their lives together. They deal with grief in varying ways. She bottles her sadness inside while he lashes out with increased aggression. That’s part of what makes this story such a personal journey and makes it feel achingly authentic.

Despite its flaws (including a lousy ending and numerous metaphors about building bridges and growing apples), “Pieces of a Woman” doesn’t shy away from presenting an unflinching look at deeply wounded humans who are devastated by grief. It’s a tough film to watch, but it’s an effective, intimate look at bereavement, agony, and a pain that no one could possibly heal.

Maybe there's a good movie in the script.

Can't say, the actual movie is one of those productions where "HDR" means "Hundred% Darkness Rules," I can hardly make out what's going on on the screen.

Turned it off after five minutes. Watched something that could be seen instead.