Edit: Ignore the reviews left on here by all the 40 year olds. It's Pinocchio. It's meant for kids. Kids who don't write reviews. Kids who don't leave a 3 star rating. Kids who will watch this movie with wonder. Who haven't lost the magic. I'm nearly 40 but I got to experience this through the eyes of someone that watched the original when I was her age. She laughed. She cried. She's asking questions. She's asleep. This will be a core memory for her. So to me, this movie is perfect. FOR KIDS! Who these movies are meant for. (Not your cynical 30 year old arse)

Half way through. I'm loving it. I have special memories to Pinocchio. When I was a little kid my big brother heard me crying in bed cause I got afraid of death. Never before did he show me he cared for me and even though he was only 13 (I was 6) he came into my room and calmed me down by telling a story about Pinocchio. It's my earliest memory. And this just brings it all back. Now I get to watch this with my 8 year old and she's mesmerised. I don't care what anybody says, this is magic.

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/pinocchio-spoiler-free-review

"Pinocchio boasts a more thematically impactful ending than the original but fails to deliver a new version of the famous childhood tale with the same magic and allure of the past.

Tom Hanks and most of the voice cast embody the spirit of the 1940's flick perfectly, but the characters lack further development and imaginative modifications. The blend between animation and CGI components with real humans and sets is awkwardly inconsistent, leaving the viewers with a weird sensation throughout the whole runtime.

The cast's musical prowess and memorable songs help with the entertainment aspect, but overall, it's a somewhat disappointing new take."

Rating: C

Terrible remake of the original “When you wish upon a star” classic we’ve grown to love!!! Lack of creativity and Disney entertainment you’d expect to see in this woke made version!!!

_Pinocchio_ has been begrudgingly transformed from a flawed animated masterpiece into this shiny, superfluous turd of a live-action film. The majority of the classic characters have been mangled in some capacity while new characters are lame fluff serving as more of insurmountable obstacles you’re forced to endure rather than offering any sort of entertainment value or overall purpose to the actual story. With tangled strings and meandering storytelling, _Pinocchio_ is a musical misfire that attempts to annihilate everything that made its animated counterpart so enjoyable.

**Full review:** https://boundingintocomics.com/2022/09/09/pinocchio-review-a-bloated-beached-whale-of-a-live-action-remake/

**By: Louisa Moore / www.ScreenZealots.com**

For some reason (we all know it’s the money), Disney is determined to mine their vault for material to remake, update, or “reimagine.” The studio’s latest abomination is the live action and animated musical “Pinocchio,” a massive misfire that tarnishes the beloved 1940s classic. Director and co-writer Robert Zemeckis‘ film is unimaginative, unwelcome, and uninspired.

Geppetto (Tom Hanks) is a lonely Italian woodcarver who builds a marionette named Pinocchio (voice of Benjamin Evan Ainsworth) and treats him like his real son. With the help of a little magic from the Blue Fairy (Cynthia Erivo), the puppet comes to life and dreams of becoming a real boy. The film follows Pinocchio’s adventures and missteps on his quest to make this fantasy a reality, including being duped by Honest John (voice of Keegan-Michael Key), being kidnapped by a circus, getting turned into a donkey, and being swallowed by a whale. He does all of this with his conscience, Jiminy Cricket (voice of Joseph Gordon-Levitt), by his side.

The story stays mostly true to the original 1883 book and Disney animated film. It’s updated a bit with new characters and some very off-putting (and unfunny) one-liners about Hollywood and the movie industry, and the screenplay feels old fashioned as it attempts to modernize the messaging. Pinocchio exclaims, “I don’t need school!” when he decides that he wants to be famous instead of getting an education. That may be relevant to today’s social climate, yet it still feels like a reach.

Things get worse from there. The animation is ugly and disturbing, with plastic looking characters and equally ghastly voice performances. Gordon-Levitt is terrible as Jiminy Cricket, giving a whiny, strained turn as one of the story’s most cherished characters. Everyone seems to be trying too hard, although it’s puzzling as to the reason why. At least Hanks makes an excellent Geppetto.

The film includes a few original tunes that are forgettable, as well as new versions of classic songs “When You Wish Upon A Star,” “Hi-Diddle-Dee-Dee,” and “I’ve Got No Strings,” which do not sound much better than nails dragging across a chalkboard. The singing is atrocious, and that’s putting it politely.

The Pleasure Island scenes are fully realized and a visual delight (let’s try to ignore that the “bad” boys do such horrific things like drinking root beer), but that’s where the praise begins and ends. The best part of the film is also its most ominous, and parents should note that the film is rated PG for a reasons. It features scary scenarios that may spook young kids, especially if they have abandonment issues or are afraid of the dark.

Almost everything about “Pinocchio” is cringe-worthy, and it’s simply not a good film. Why do this to a Disney classic?