One of my all-time favorite films, Saturday Night Fever is a cult classic! It never ages. And yes, my mother took my big brother and me directly to the record store afterwards, where she purchased the Saturday Night Fever soundtrack. We played the needle through it when we got home. (Laughs) Dynamite soundtrack. Dynamite film.

Great snapshot of the disco era with compelling characters and story

RELEASED IN 1977 and directed by John Badham, "Saturday Night Fever" is a drama/musical detailing events in Brooklyn where a group of Italian-American youths led by Tony Manero (John Travolta) work dead-end jobs, rumble with Hispanics and meet babes at the local discothèque where Tony is a champion dancer. Donna Pescow plays his needy wannabe girlfriend while Karen Lynn Gorney plays his dance partner for a big contest.

This was a huge hit in its day and the catalyst for disco fever throughout the world. To this day you’ll see people mimic Travolta’s iconic dance stance with one arm pointing upward and the corresponding leg out. John was in the prime of his life at 22 during shooting (a great inspiration for guys to get in shape) and already popular due to TV’s Welcome Back Kotter. “Saturday Night Fever” shot him to stardom, making him a household name.

The movie’s hit status was deserved because of its emphasis on the ordinary, but interesting protagonists and their entertaining drama, not to mention the dynamic dance sequences and popular soundtrack featuring the Bee Gees. There are several quality scenes, including one with the magnificent Brooklyn Bridge as a backdrop. Watch for 19 year-old Fran Drescher making her acting debut in a glorified cameo.

THE MOVIE RUNS 1 hour 58 minutes and was shot in Brooklyn, New York City. WRITERS: Nik Cohn (story) and Norman Wexler (screenplay).

GRADE: A-/B+

I was but ten years old when this was released, so never saw it at the cinema at the time - but boy was it big news. John Travolta was fêted all around the world as the white-suited hipster "Tony Manero" who almost glided around the city streets - and the dance floor. Determined to improve his lot, he enters a disco competition which he thinks will change his life and what ensues for about two hours is his story. Sadly, it's not much of a story. He's not a very engaging fellow; treats women badly, has a mouth on him that could strip paint and is constantly at loggerheads with his hard working, decent, old man. Things take a turn for the more complicated when the apple of everyone's eye - his priest brother "Frank" (Martin Shakar) returns home announcing his intention to give up the priesthood for a life that doesn't require celibacy. Luckily, "Tony" teams up on the dance floor with the spunky "Stephanie" (Karen Lynn Gorney) - a woman even more ambitious for a clean start than him - and that is where the film eventually takes off. On the dance floor, with the disco ball working it's magic and a collection of superb Bee Gees tracks that cannot fail to get your toes tapping. "Night Fever"; "Staying Alive"; If I Can't Have You" and the more slow tempo'd "How Deep Is Your Love" make the soundtrack way, way, more memorable than this otherwise tawdry, tacky look at life in New York in the mid 1970s. Travolta is the star, his walk and his cocky style stand him apart from the rest of this rather depressingly anodyne story - but in the end it's a film about aspiration, dancing and the Bee Gees, and the latter elements are well worth watching.

a lot of terrible in this, and the first half or 2/3rds will make you roll your eyes at the amount of terrible bs that tony and his friends do that the film glorifies, but the point of the film, to me, is that a) people who seem like they have it all together are experiencing their own problems that you may not be aware of, and b) we watch tony grow up, which, in order to properly show his growth, we need to see all of that terrible bs. it's still hard to sit through, but at least there's a purpose. tony's friend muttering "stupid bitch" is totally unnecessary, though. 70s filmmaking, man.

more than anything, though, the discotheque scenes are INCREDIBLE. somehow you don't see how lame this white nonsense must've been and you are transported to this world, and you get to see tony's bad family life contrasted to his life in the disco where he is a god. interesting stuff, and they shoot the disco scenes so well.

definitely worth a watch, keeping in mind this is 1977 and you're watching a time capsule. if you're the type who is passionate about this sort of thing, and find a lot of the things occurring in this film to be unsettling, i think it's important to watch films like this so that you can appreciate the progress that's been made. few films can top the contest-winning dance, and, especially, tony and stephanie's kiss, tony's dumb look on his face immediately afterwards, and then that huge smile. i mean, what beats that?

john travolta's dancing saves this whole film, and that's coming from someone who does not give a shit about dancing. the non-dancing scenes are subpar at best, but the discotheque scenes pull you right back in.