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User Reviews for: Sicario: Day of the Soldado

LNero
8/10  2 years ago
I was expecting a disappointing sequel from reading a few user reviews, especially given how many of this genre of film are dumb, throwaway violence fests, doubly so for direct sequels. I found no such thing here. This was a thoroughly engrossing and intense film. I just watched _Sicario_ two days ago, but I think this may be even better, and I _really_ liked _Sicario_. The score works overtime, but this film was the exception in that it earned every _BurrAWWWwwnnnn_. It depresses me that anyone could find either film boring.

Brolin brings the presence, along with human uncertainty when even he is forced to face something he isn't comfortable with. He makes you think that mercenary terrorists may actually have honor, where the elected war ministers do not. And there are moments when he kills with vengeance. Benicio del Toro once again more than carries his half of the film, dialog or no. So much can be said with just a look, but you see the depth of his humanity unfold in scenes like the border homestead. Likewise, Isabela Merced gave all that the script asked of her, age in account or not. I hadn't seen her in anything serious before, but she more than proves herself here. And through Wolski's lens she looks like an animate doll.

Speaking of which, the cinematography got to go a lot more places this time, lingering on different subjects in more settings, and Dariusz Wolski's photography was gorgeous throughout, whether shooting the landscape, or subjects. I'll also keep an ear out for Hildur Guðnadóttir's score work. Honestly, this was one of the best Director/Cinematographer/Composer/Writer combos I've seen in a while.
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Reply by LNero
3 months ago
I just watched it again, just over a year later—this time by itself without having watched the first film again, beforehand—and I'm rating it higher than I did at first, after initially having an overabundance of caution, knowing I'd just watched them back-to-back. <br /> <br /> This film is gorgeous, and gives you space to breathe while inhabiting it.<br /> <br /> The first film's plot structure makes it an easier film for the LCD to appreciate and pin as a masterpiece (which is is) but I just as much appreciated this film and its greater lengths and number of quiet moments. The scene on the homestead is, to me, equivalent to the shootout scene on the overpass from the first, despite being completely different. Those were the most memorable moments of excellence that identified each film, if I could only pick a single scene.<br /> <br /> Seriously, I can't get over how gorgeous the shots of the desert are. The cameras used, the focus length, the far, far distant escarpment, allowing for such an elongated focus gradient. The short focal length and exquisite DOF of the shot of Isabella against the pickup, sprayed with blood spatter. The shot against the homestead, focusing on Del Toro, then Merced, in turn. In the quarry, and again in the back of the pickup on her second extraction when the lights just go out of her eyes from trauma. It's haunting.<br /> <br /> And the score is subtle, yet essential, when it's needed, and loud and present when it's appropriate. Just so fucking good. Del Toro, Merced, and Brolin are just phenomenal.
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