Whenever people compare this film to episode 4, they tend to talk about the improved visual effects, direction, or Vader’s expanded role. And while all of that is definetely present, this film’s biggest achievements when compared to the original to me have always been the major upgrade in the acting and dialogue. Kershner delivered a movie that isn’t just insanely quotable, but the actors managed to sell every single line of it. No longer do we have to listen to whatever Lucas was telling Fisher to do (“I recognized your foul stench when I was brought on board”), and instead we get some genuinely great chemistry between her and Harrison Ford. Mark Hamill no longer acts like a whiny teenager, which is a nice bonus. And also, the new additions are nothing short of awesome, those being Yoda, Boba Fett and Lando.

People usually refer to this instalment as ‘the dark one’, but at the same time, it’s also the most comedic out of the original 3. Our protagonist learns that the big baddie is his daddy, but at the same time, he makes a handstand while a little green muppet is standing on top of his foot. It sounds like a tonal mess, but it really works. To me, it only loses a few points for some of the really hokey stuff. I know you sort of have to buy it, because it is a silly space movie after all, but some of the designs have just become laughable. It almost doesn’t sound fair to say that to a 40 year old movie, but even some other films from that time period are still as effective today as they were back then (remember, _The Shining_ also came out in 1980).

8.5/10

Top of the line for a majority of Star Wars geeks, and for good reason. It's the ideal melting pot of George Lucas's vast, quirky imagination, his influences' knack for dark, large-scale epics, and his key contributors' determined efforts to retain a central humanism amidst all the creatures, effects and operatic indulgences.

A wildly ambitious picture, it's genuinely amazing just how much territory is covered over the course of two hours. Lucas and company manage to leap from the Hoth battle to Yoda on Dagobah, the asteroid field to Lando and Cloud City, before finally climaxing with the classic Luke / Vader showdown and revelation. That's an awfully large number of set pieces, not to mention some seriously powerful plot points, but smooth talking and a few outstanding performances keep the film from feeling over-stuffed or under-explored.

The cast, too, grows on an individual basis almost universally, with Luke wrapping himself in the wisdom of the Jedi, Han and Leia developing genuine chemistry and Darth Vader, in a surprise twist that should never have been so effective, actually showing some signs of humanity. Although it can be hammy from time to time, those moments are balanced expertly by a wonderful series of mountains and valleys, to the point that they stop being seen as negatives and instead contribute to the picture's eccentricity. A legendary effort that's just as monumental, entrancing and electric thirty years later, it's damn near perfect.

Let me tell you a little of my experience watching this movie.

Empire was the first SW movie I actually saw in cinema. I vividly remember all the hype surrounding it. There was a promotion tour before where Darth Vader and some Stormtroopers visited stores and even signed autographs. Sounds funny today but I was about 11 and I loved that stuff. Of course they weren't the real actors but I wanted to be a Stormtrooper anyway. I think I still have the Darth Vader signature somewhere. (Meanwhile I have the ones of Prowse and Jones, too)
When the big reveal in the movie came the cinema was stunned. Even thought the movie premiered about half a year before in the States it was still possible to keep things under wraps with no internet. There were rumors spread by people who watched it but nothing solid. And it was hard to believe anyway. So there was real astonishment and fright upon the revelation. Don't you miss that ? Today there is hardly anything in a movie that is surprising and it's tough to avoid spoilers which can come from the most unexpected angles.
As an 11 year old I wasn't analyzing the movie, I simply loved and enjoyed every second of it. Even today I have no favorite among the original trillogy. I see them as a whole and they are close to my heart. Back then Empire solidified my love for Star Wars and I was very eager to know how it would continue.
How would they rescue Han ? What will Luke do now that he knew his father is the Evil personified ? There were many things to talk about and our imagination ran wild.

I just re-watched the theatrical version of this. It's included on a bonus disc of an old DVD set that I have of the original trilogy. It was such a treat to see the film again, as it was initially released. I don't want to get hung up on nostalgia, but it was a bit like stepping back in time, back to the old Vogue Theater in my small central Minnesota town. Yep. Stage, curtains, balcony...the works. I was 16 years old at the time and excited like never before to see a movie.

I'd forgotten the stop-motion goodness of Han and Luke riding Tauntauns on ice planet Hoth. The intimidating thunder of the Imperial Walkers as they attacked the rebel base. The fierce light saber battle between Luke and Darth Vader. The Millennium Falcon was practically a main character, too.

There's some real corn here. The sexual tension between Han and Leia is super juvenile, but it's funny. The suave hustle that Lando puts on Leia. "Laugh it up, Fuzzball!".

The visual effects, which were ground-breaking at the time, look mostly dated now. The matte paintings, green screen, and stop-motion show their age. But those things didn't negatively affect my enjoyment of this at all. The story is so simple and the characters so rich that anyone who dismisses this wonderful film based on dated effects is someone I don't want to share a movie-going experience with.

This is a true cinematic classic. I don't know that I would ever call it better than its predecessor ("A New Hope") but it's certainly its equal.

It's a dark time for the rebellion; and us the audience as well.

Luke, Leia and Han are fighting with the rebels in the hope of defeating the Imperial forces. But Luke gets a calling to the planet Dagobah, where under the tutelage of Jedi Master, Yoda, he hopes to become a Jedi himself, but that also brings him closer to his, and Leia's, destiny.

Lets tell it as it is, The Empire Strikes Back is a better film than Star Wars, not as impacting of course, but most definitely better. Technically, in story telling and in tone, it holds up well today and certainly warrants the amount of times it crops up in best sequels debates. That it's not actually a sequel is irrelevant, it is of course the filler in a wonderful sci-fi sandwich, because as second instalments go, Empire has few peers. With Empire Strikes Back we get all the whizz bang adventure strewn heart of Star Wars, but George Lucas (stepping aside for Irvin Kershner to direct) has also fleshed the story out with a serious dark tone that oddly becomes a bedfellow to the romantic fun on offer, where new and engaging characters (and creatures) add spice to this wonderful fantastical broth.

Aided by the considerable writing talent of Leigh Brackett (The Long Goodbye, Rio Bravo, The Big Sleep), Lucas took the bold and ingenious step of giving the bad guys the upper hand, in fact it could be argued that he was taking a considerable risk with his ending. Forcing his viewers to wait for the final chapter (three years later), after tantalisingly setting us up with a corker of plot twist (one which is still to this day as potent as it was back on release), Lucas pulled perhaps one of the cheekiest carrot dangles in cinema history.

Though more famed for its dark undertones, Empire is for sure still a very fun movie, C3PO goes into camp overdrive and Han Solo ups his quip quota by some margin. Then of course there is Yoda, in himself a comedic joy. The action sequences beg for repeat viewings, a battle on the ice laden planet Hoth is a marvel and the choreography for Skywalker's fight with Darth Vader is out of the top draw. But ultimately it's with the dark side that the picture excels. Complex and amazingly posing moral quandary's, The Empire Strikes Back is quite an experience, one that will forever hold up to repeat viewings for this particular viewer. 10/10