A highly romanticised version of the Superman mythos, and a continuation of the first two originał Reeve films. Singer adheres to a lot of elements from these films, perhaps a little too much as he attempts to continue a story over 25 years old. There is a distinct melancholic feel to the film as Superman's sense of being an outsider and need to connect is emphasised, but this is brought full circle in a twist that many didn't like, but makes perfect thematic sense and allows for a touching heartfelt scene at the end. Whilst Singer also struggles with the Clark/Lois relationship owing to the story needs, he gets the Superman/Lois scenes right and these form the emotional backbone of the film. The complaint of a lack of action is moot as there is plenty of it with a stunning plane rescue sequence being the highlight and an emphasis on Superman saving people rather than simply fighting (take note Man of Steel) although Luthor's plan is again ridiculous. The flying sequences are often beautiful to watch, a minor quibble being the overuse of CGI to depict Superman. Both Routh and Bosworth do a fine job, if a little imitative of Reeve and Kidder, and it is a shame they don't get more to do as Lois and Clark as their characters don't get the chance to display the spark and fun seen in the originals. John Ottman's score wisely includes William's themes, but he adds enough of his own memorable moments that are in keeping with these themes. Ultimately this forms a nice if imperfect trilogy with the Reeve classics.