Awful, another overrated pop culture artifact from the 80s. Sometimes I appreciate simplicity in movies, but this is so watered down and basic that I can’t imagine getting a lot out this even if I were the target demographic. Honestly, how did this leave such a long lasting cultural mark? It’s predictable fluff without any visual creativity or genuine artistry. I grew up with some of Pixar’s best stuff, the 90s Disney renaissance and _Harry Potter_, next to those this feels like it was written by a child. There’s zero complexity allowed with the story or characters (literally everyone is written like a stereotype), which to me feels phony and makes it impossible to connect in any significant way (though I understand why someone else might find it pure instead). The cheesy 80s production style certainly doesn’t help either, for example the AOR soundtrack does this movie no favors as the genre has fallen out of favor over the years. Nevertheless, I enjoyed some of the charming interactions between Daniel and Mr. Miyagi, and it’s certainly impressive that Ralph Macchio continuously holds his own as an actor throughout. It’s just not enough to make me ever want to see this again, because everything this tries to do is done more interestingly by other 80s films. Give me John Hughes over this any day of the week.

3/10

***Reverent and emotionally potent coming-of-age/sports flick***

A boy (Ralph Macchio) moves with his mother from New Jersey to Los Angeles, but isn’t welcomed by the Cobra Kai gang at school, led by bully Johnny (William Zabka). But Daniel (Macchio) finds a potential girlfriend (Elisabeth Shue) and a ‘golden connection’ with a Japanese American who’s willing to teach him the art of karate (Pat Morita). Everything leads to Daniel facing off with Johnny at a tournament. Martin Kove is on hand as the sensei dripping with villainy.

“The Karate Kid” (1984) is a product of its time, the early/mid 80s, and is unrepentant about it. A long sequence featuring Bananarama’s "Cruel Summer” tells all. Speaking of which, that’s a great school scene.

There’s something about this flick that always moves me; it has heart. It’s about the love of a teenager and his mother; the love of a boy and a girl; and the fatherly love of a harassed new kid on the block and a wise old Asian man. It’s also about facing hefty challenges and learning to overcome them. There’s a reverent quality and the proceedings ring true, except maybe for the campiness of the uber-machismo sensei, although that’s entertaining.

Winsome Shue shines on the female front wherein the movie scores well with several peripheral notables and even Daniel’s warmly spirited mother (Randee Heller).

The film runs 2 hours, 6 minutes and was shot in the Los Angeles area.

GRADE: A-

_"Get him a body bag! Yeah!"_

Yeah, this was a decent film. I mean, I don't know. Yeah, it was decent, but I didn't know what to expect. In a way, I guess that may have backfired on me a bit. It subtly slithered in expectations to where I got thrown off balance. It was all good in the end, though.

I went in with some things at the back of my head: the moment in HIMYM with Barney Stinson believing Johnny Lawrence's the real Karate Kid, bits and pieces from _Cobra Kai_ that I've seen where Johnny's shown in a different light, and how some people think or ended up thinking, more recently, that Daniel wasn't so innocent, either.

That made me think Johnny would have more depth, as well as being super cruel, and Daniel would be similar, to a lesser extent: or that he would be a typical bully-victim, super scared and taking it, defenseless, making Johnny more "evil." And I guess that was true, somewhat. But not in the way I was expecting. Johnny wasn't _that_ horrible, just your average bully. But the writer didn't seem to do much with his character, depth-wise. And Daniel wasn't this weak person who garnered even more sympathy when evil Johnny got into the picture; he was headstrong/revengeful and happened to encounter trouble with no proper means to defend himself.

The focus didn't seem to be on highlighting Johnny as this evil guy nor Daniel as this good guy you should undoubtedly be cheering on; you end up doing that yourself without any push towards it by the writer, or that's how it seemed. If anything, it seemed like the writer subtly painted John Kreese (through himself, but especially his teachings) as the "evil guy." But even that came across as a back-burner focus. The real focus/message was the relationship between Daniel and Mr. Miyagi and the latter's life lessons/wisdom, or at least that's what I think.

This film was undoubtedly a film from/of its time, that's for sure. Everything about it was screaming that out. That wasn't necessarily a problem in and of itself. It's just that it was somewhat average. The story was simple, maybe too simple, but that could've been more on the direction and pacing; not much did seem to happen. The other aspects didn't seem as "vibrant" as I thought they would be, which is probably on me for having certain expectations. But maybe that's the case with loads of films back then. The soundtrack, as well as the score composed by Bill Conti, was decent, though. And the fight choreography, while 80's-esque, was done well.

Don't get me wrong: that was fine. I feel like the "disconnect," in a sense, is the nostalgia factor attached to this film. I think that elevated it higher than it was when people refer to it. Because, when peeling that back, what's left is a fairly average (not bad, just average) film.

At the same time, there's something about it. That could come from three elements: sincerity, genuinity, and a general sense of heartfeltness; they seemed prominent. Despite being an average film, it seemed to have more of an effect than it realistically "should've." That almost feels like a proper explanation of most films from this film's time, even though I wouldn't know anything about that. And it's not nostalgia, as this is my first time watching it. It just seems to have succeeded against all odds, like an underdog, like Daniel LaRusso.

The start of 'The Karate Kid'. Good viewing, this.

I'd be lying if I didn't say I expected more from it, but that's not to say I didn't enjoy it - because I did. Coming into this I had only seen the 2010 remake, therefore I did know what was coming in certain points. Still, the plot is interesting and holds a positive message.

I would say the run time is longer than I would've chosen, I feel they could've shaved a bit off and not have taken so long to get to the karate event itself. It builds up fairly slowly, meaning the opening 40 minutes are less interesting - to me, anyway. The rest is good fun though.

I definitely sensed the 'Rocky' influence, particularly in Ralph Macchio's acting. He reminded me of Sylvester Stallone from the aforementioned film, in terms of the acting perhaps not being anything incredible but there being the required amount of likability and glimpses of hidden talent. Macchio (Daniel) is very good here, as is Pat Morita (Mr. Miyagi) of course.

Onto the sequels!

**A landmark of the 80's**

I'm not exactly a fan of fighting or martial arts movies. It's usually a type of movie I avoid because I find it boring and tiring. However, I was surrendered to this film, which is surely one of the most famous of the 80s, a film that even today, thirty years later, feels good to review. Perhaps because of this, it is a film that still retains its place on the grid of cinema TV channels.

The script is simple, but quite appealing and full of well-crafted characters worthy of our sympathy. The protagonist is Daniel, a young teenager who has just moved to California and is trying to adapt to a new environment. However, he quickly wins the enmity of an older, wealthier and more violent boy, due to their common interest in the same girl. Forced to learn karate to defend himself, he befriends the janitor of his building, an elderly Japanese man who will teach him everything he needs to know about the martial art.

Ralph Macchio is nice and pleasant in his character, and he does a pleasant job that will earn him fame. In fact, it will become the only major role in the actor's career, who even today plays the same character in video games and series. Elizabeth Shue, for her part, made more intelligent use of the relative success she achieved in her role in this film. Although she doesn't shine, she does what she needs to do well, and that opened the door to a series of other jobs. But it's definitely Pat Morita who steals our attention whenever he's on stage. He is impeccable in the role of the intelligent and sensible Japanese. Through character, the film gives us a vision of peaceful karate, focused on defense and the need to be prepared to never really have to fight. The actor, by the way, was nominated for an Oscar for his performance. The film also features notable appearances by William Zabka and Martin Kove.

With good, elegant cinematography, crisp colors, and good shooting work, it's a film that doesn't feel as dated as other films from this decade. I particularly liked the sets of the Japanese house, with its gardens and magnificent carpentry details, and the classic cars in some scenes. The fight and action scenes look pretty choreographed, but they're still genuine enough not to look bad. The soundtrack, signed by Bill Conti, is truly memorable and a little gem that is generally overlooked, forgotten and overtaken by other more well-known and consecrated scores.