Choosing to base the film around the experiences of a fictitious doctor did the film a disservice, I think. This is an important historical story to tell, and it's clear that many parties agreed from the production trivia. So why inject such a large note of "fakeness"?

I do have to give the script credit for one thing: the tone shifts perfectly in line with the narrative. The first half-hour or so successfully lulled me into thinking that this was a comedy with some dramatic elements, rather than the serious drama it turned into. Certainly, fooling me would have been more difficult if I'd actually read anything about the film before watching it—but surprises like that are a big reason I sometimes just choose a film at random and press Play. Then again, it's precisely _because_ young people like me have no idea what happened in Uganda all those years ago that this film was important to make.

Aside from its historical relevance, Forest Whitaker is honestly the best reason to watch _The Last King of Scotland_. HIs performance is astonishing, and it's no wonder he won an Oscar for his portrayal of Idi Amin. The _X-Files_ part of my brain was hoping for Gillian Anderson to have a big role in the film, after seeing her name in the opening credits, but Sarah Merrit was a pretty minor character in the end. In hindsight, it's not surprising; her name appeared near the end of the list… (I also nearly didn't recognize Anderson without Agent Scully's red hair. Really, truly, I'm a recognize-by-voice guy. Faces aren't my strong suit.)

I'd say **7.2/10** overall—pretty good. Using one of Amin's real British doctors instead of a fictional Scotsman would have made it better. (Basing the film on a book already framed as the memoir of a fictional Scot probably made that a more difficult sell, to be fair.)

According to Wikiquote, a “British official” once said that Idi Amin needed “things explained in words of one letter.” It is one of The Last King of Scotland’s few flaws that it assumes we need things seen through the eyes of a white Westerner.

Sure, James McAvoy has some very good scenes with Forest Whitaker, the best of which is arguably the first (though in retrospect it doesn’t quite hold up to scrutiny), which ends with Amin and Dr. Nicholas Garrigan exchanging shirts (so that Amin can give Garrigan’s to his non-existent son Campbell, brother to the epileptic, and most likely also imaginary, Mackenzie) as if they’d just been in opposing sides of a soccer match.

Other scenes are much less fortunate, especially the one wherein the good doctor assists the dictator in the forced release of a massive flatulence. Good or bad, though, it matters little because none of this happened, and Dr. Garrigan never existed – not that he’s the least bit believable, either; starting with how he decides to go to Uganda (literally spinning a globe, closing his eyes, and pointing), Nicholas invariably behaves more like a character in a movie than an actual human being.

He can grab Amin’s sidearm without being instantly gunned down by the sundry nearby soldiers; he can drive, through streets he presumably is unfamiliar with, Amin to safety after the latter has been ambushed; he’s fresh off medical school but has the poise of an expert physician; and he’s so irresistible that one of Amin’s wives is willing to risk life and limb (or rather limbs, as it turns out) to have sexual congress with him (and even if the character were real, we still wouldn't be interested in his sex life).

Wikipedia tells me “the film mixes fiction with real events to give an impression of Amin and Uganda under his rule.” Well, we certainly get an indelible impression of Amin thanks to Whitaker’s haunting performance; on the other hand, wouldn’t we get a clearer impression of Uganda under his rule if the film stuck to the facts?

What’s the point of shooting on location if we only get a perfunctory idea of the effect the dictatorship had on the country and its people? Even the captions before the closing credits are too little too late, especially considering they aren’t much more accurate than anything that has gone on before. Instead, everything is filtered through Garrigan, who cares mostly about saving his own skin and isn’t really all that concerned with the fate of the Ugandan nation.

It’s a shame because director Kevin Macdonald’s influences are impeccable; Amin’s “Nothing comes from nothing” echoes Lear’s “Nothing can come of nothing,” and the way he dismisses Garrigan at one point is reminiscent of Rolf Hoppe chewing out Klaus Maria Brandauer in Mephisto. Perhaps Macdonald should have leaned completely towards the fictional approach and made a film à clef (Zangaro, The Dogs of War’s faux African dictatorship, would have been a good template).

I am the father of Africa.

Based on Giles Foden's novel of the same name, this filmic version of a period of Idi Amin's presidency of Uganda is a class act - that is if you can accept it as a loose reworking of events in Amin's life? Thus those who filed in for a bona fide history lesson subsequently either got angry or plain disappointed.

Propelled by Forest Whitaker's barnstorming Oscar winning perf as Amin, Last King of Scotland is riveting and fascinating from first reel to last. The political upheaval at this time in Uganda's history is presented in delicate strokes of dark depressing realisations, and also that of uneasy humour.

The portrayal of Amin is most complex, part man child, part greenhorn political suitor and one heartbeat away from despotic lunacy, with Whitaker nailing every single tick. It's key to note that the film does shed some light on Amin, so as a character study it soars and holds you enthral throughout.

Director Kevin Macdonald films in kinetic style, which is perfect for the material to hand, and he also deserves a pat on the back for ensuring the characters around Amin (circle of family/advisors etc) are a constant intrigue as per Amin's agenda machinations. James McAvoy gives sterling support as the key "fish out of water" doctor who Amin takes to his bosom, while Kerry Washington as Amin's wife number 3 also strikes the right emotive notes.

The finale falters somewhat, where it encompasses the Entebbe Hostage Crisis but fails to do that incident justice - instead using it as a cypher to have us rooting for McAvoy's made up character to get out of harm's way. But this is just a misstep that's not film defining. For this is a fine film, if it's not jolting you with harrowing scenes, or tickling your brain for education purpose, then it's demanding your attention for historical noting. Job done. 8.5/10