"Nathan Algren" (Tom Cruise) is a disenchanted, alcoholic Captain who, post American Civil War, is offered the chance of a fresh, lucrative, start in Japan training some raw recruits to form the basis a standing Imperial Army. He arrives and is presented to the young, forward-looking but somewhat intimidated Meiji Emperor and it subsequently becomes clear that his purpose is primarily to assist Ômura, the Prime Minister, to create a military force capable of defeating the traditionalist, but loyal, Samurai clan of "Kausumoto" (Ken Watanabe). The first skirmish doesn't quite go to plan, and "Algren" is captured. Over the harsh winter, he befriends his warlord captor and the film begins to introduce us to the honourable and upright values of the man and of his beliefs and fundamental, if at times, ruthless decency. It mixes truth with fiction in a clever, unsentimental manner - Watanabe's performance is considered and engaging as the man on the cusp of a new era which neither he, nor his people, want or understand. Cruise is clearly the man behind the concept and is to be commended for bringing this gloriously good looking story to the screen; he is not, however, especially good in the lead - the part calls for a sophistication that he, as an actor, simply doesn't possess. There is also a curious role for Scots comedian/actor Billy Connolly who originally enlists "Algren" to the cause - with an accent that is all over the place. Masato Harada delivers well as the devious Minister who, in his own way, wants his society to adapt and flourish and Shichinosuke Nakamura gives the person of the Meiji emperor a caring, aspirational vulnerability that helps give the whole film a sense of truth and authenticity. The technical standards - especially during the frequently brutal battle scene are consistently high.