Chaplin's early works were more over the top than later works. But you have to remember that these were watched with a live piano player on a small screen in an old time vaudeville theater at first. Had to be very over the top. As the genre grew over the the next 2 decades so did Chaplin, his Tramp and the whole presentation. He rightfully saw movies as the end of vaudeville and talkies as the end of the over the top antics needed to tell a story that made silent films.

The interesting part is how he used makeup on certain characters to emphasize certain qualities to the character. The over the top eyebrows and dark eye shadows to show lesser moral character. This being one of his earliest works he was still developing the Tramp and it's a bit of a contrast to the movie "The Kid".

Also, early on no one would've dreamed of falling in pretend or on person on a woman, so much like vaudeville, here he has a man playing a woman.

A raucous day's work for Charlie Chaplin, who waits tables (poorly) when he isn't absconding to the neighboring roller rink to generate chaos and steal kisses. These two-reel comedies aren't long enough to get much deeper than that, but there's no glaring need to. The spotlight is always, rightfully, on Chaplin's well-orchestrated bits of frenetic energy and fluid pandemonium, a hectic machine-gunning of highly polished comic routines that can adapt to fit the frequent changes of scenery.

In the restaurant, Chaplin bounds wildly between kitchen and dining room, spreading ruin in his wake but always, somehow, skipping out on the punishment. He's more assertive in the rink, sabotaging a rival in pursuit of a pretty girl while showing off his premier skill on a pair of skates. That particular aspect is the short's most striking attribute, a brilliant display of mastery that's just as remarkable in a 1916 film as it would be, twenty years later, in _Modern Times_.

_The Rink_ may be slapstick through and through - lots of accelerated head-over-heel spills and broken plates - but it's efficient, crafty, and takes great care not to repeat itself. Silly and shallow, perhaps, but also highly entertaining.