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User Reviews for: The Wasp Woman

John Chard
/10  6 years ago
This Queen plans to stay young.

The Wasp Woman is directed by Jack Hill and Roger Corman and written by Leo Gordon and Kinta Zertuche. A Roger Corman production, it stars Susan Cabot, Anthony Eisley, Michael Mark and Barboura Morris. Music is by Fred Katz and photography by Harry Neumann.

Janice Starlin (Cabot) is the owner of a large cosmetics company, once a successful operation, the company is starting to lose customers who can see that Starlin is beginning to show her aged years. But hope may be at hand form scientist Eric Zinthrop (Mark), who has been experimenting with the royal jelly from a queen wasp, creating a serum that reverses the aging process. She strikes a deal with Zinthrop to fund his research as long as she can be his first human subject...

Schlockmeister Corman obviously took notice of the success of Kurt Neumann's The Fly from the previous year, for here he tries to bring us the female variant on the sci-fi mix up movie for half the budget. It marks the last time that Susan Cabot would appear in film, this also being the last of six films she made with Corman. For a low budget schlocker it's not half bad, the berserker insect/human science is good fun and there's potent thematics within involving the search for eternal youth, drug addiction and the cautionary warning about man pushing science too far. Even the effects, whilst cheap and rightly kept in the shadows for the most part, have an antiquated charm about them. If only the film wasn't so static, so ordinary, for two thirds of its relatively short running time, then this would be talked about as one of Corman's better offerings, especially since the cast are actually fine, particularly the pretty and stoic Cabot.

Most of the film is played out from the offices of a high-rise office complex, this is unusual but gives the film a little uniqueness, with Neumann and his directors managing to set the ambiance at uneasy. But it's mostly talky stuff, meaning mood is built up to the point that when the picture does shift into creature feature gear-budget restrictions mean expectations can't possibly be met; even if what little horror is in the picture is actually pretty spicy: though the makers do miss a trick because it's explained to us early in the piece that the Queen Wasp eats her mate! But Janice has no love interest here, shame that! Fred Katz's music is deliciously mad, at times sounding like Wacky Races on LSD, at others some gentle jazz beat fusion, it's in the right movie, just not used at the right times! The accompanying buzzing sound affect for a Wasp Woman attack, though, is most agreeable. Corman would use the score again for Little Shop of Horrors the following year.

Nobody, you would like to think, would be viewing The Wasp Woman expecting a sci-fi classic, but it's a frustrating watch in many ways, even to the fans of cheapo B movie schlockers. 5/10
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Bronson87
5/10  2 years ago
The Wasp Woman is a b-movie from Roger Corman - if you know the name, you should know what to expect. Is it basically a rip off of The Fly, released the year prior? Totally.
Our lead character, Janice, is getting older, which is bad since she is the face of her cosmetics company. Wait, wasn't that the plot of Catwoman (2004)? Anyway, 1950s science fiction to the rescue. Naturally, of course, there are negative effects. She turns into a monster. The end.
With a runtime of only an hour, it still feels long. The acting, and dialog are what you'd expect from the era. For what it is, The Wasp Woman is not too bad. If you like the charm of sci-fi/horror produced in that decade, it's worth a watch.

What did I not like about the movie? Since most of it takes place within a science lab, there are animals being kept in cages/tanks. In an early scene, two guinea pigs are stuck with a syringe; now, given the camera angle, and the lack of response, it's hard to know if our little friends were actually hurt or if it was just convincing. What was harder to disregard was the scene with the cat: either a cat was actually hurt or the special-effects team made the best fake cat ever produced.
Just a reminder: Labs still test on animals to this day. Animals are not ours to experiment on or abuse in any other way. Animals are here with us, not for us.
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