A powerful, loyal adaptation of Harper Lee's novel that cuts to the heart of the racial dialogue without condescending or coddling.

Gregory Peck won an Academy Award for his performance as Atticus Finch, the thoughtful father and dignified lawyer who's driven by moral convictions, but his work is enriched by several crucial supporting roles. Child actors Phillip Alford and Mary Badham (also nominated for an Oscar) play a convincingly earnest set of siblings, enthusiastic and inquisitive avatars for the audience. The authenticity of their lock-stepped performances might be partially lain at the feet of director Robert Mulligan, who opted to run with many first takes, lest the youngsters grow weary of the repetition. Brock Peters also shines in limited work as Tom Robinson, a black man on trial for a flimsy rape accusation. Peters really only gets one opportunity to make his mark, but it comes at the emotional crux of the story and he sees that it hits home.

The film isn't without weaknesses - antagonists often seem a little too narrow and stereotypical, and the flat (if essential) epilogue undercuts the power of the film's real climax - but those are minor nitpicks. On the whole, _To Kill a Mockingbird_ is a smart, well-reasoned picture that still speaks to America today, generations after it was set, published and adapted. Jim Crow may be dead and buried, but so long his influence still resonates, this story will carry extra relevance.

**A striking, culturally relevant and indisputably important film.**

It is not very rare to see that an actor's career, however prolific it may be, ends up being especially remembered thanks to his participation in a very small set of films, or even for his participation in a single film. I don't see this as a demerit, but as something unavoidable: only a very limited set of films ends up surviving the test of time and becoming culturally and historically relevant. Gregory Peck was an actor of great importance in his time, one of the faces of honesty and fairness, since he almost always played characters imbued with great honesty and nobility of intentions. As such, he took place in a wide range of films... but let's be honest, it is with this film that the actor reaches the peak of his career, and it is here that he achieves the greatest recognition and relevance as an actor.

The film brings to the screen the slightly autobiographical novel by Harper Lee. Strongly inspired by the figure of her father, and by passages from her childhood, the author conceived a story in which an honest and committed lawyer struggles to defend a black prisoner, convinced of his innocence in the face of accusations of rape and aggression against a white minor. Of course, it all takes place in the American South, where racial prejudice runs rampant, as everyone knows. In the midst of all this, a sub-plot also develops, involving a reclusive, mentally weak neighbor, who creates a liking for the lawyer's daughter.

I'll start by saying that I've never read the original book, so I'm not sure if the movie does justice to its content. However, when preparing this text, I concluded that the writer watched some footage at the invitation of the production and participated in the works with her collaboration, which leaves me with the conviction that the film sought to respect the literary work. Directed by Robert Mulligan, the film is a very convincing drama, but it takes a while to get into gear and to captivate our attention, which is initially invited to focus on children, on the way they behave and interact with the world around then. It will be, moreover, through the eyes of one of them, that we will observe the events.

As I said, it is in this film that Gregory Peck reaches the highest point of his career, giving us an inspired, profound and emotional interpretation of the main character. He was one of the most relevant actors of his time and there are a number of other films where he shines and deserves a closer look from us, but this is where he immortalizes himself. Without coincidence, this is where the actor receives his Oscar for Best Actor, after being nominated four times. Despite being very young, Mary Badham's performance and a silent appearance by a young Robert Duvall are also worth noting.

Technically, the film is quite discreet and gives the audience plenty of room to focus on the story told. There are no great visual gimmicks, there are no noteworthy effects, but we have excellent black-and-white cinematography with occasional artistic notes and a good filming work. The editing was also very well done, and gave the film a pleasant pace. It takes a while to really become interesting, but if we give the film the opportunity it requires, it will give us an enjoyable story, which we will gladly follow until the end. The soundtrack also deserves praise for its apparent ingenuity, as well as the opening credits and its graphics and visuals.

The part Gregory Peck played in this was reportedly his most favorite role. And he does a marvelous job of it too, as Atticus Finch, the Southern lawyer who agrees to take on the case of a black man falsely accused of rape. The story, from Harper Lee's classic novel, is in itself wonderful. It's filled with brilliant and iconic sequences, just a couple memorable ones being the dramatic courtroom scenes where Finch tries his best to make the prejudiced townsfolk see sense, and the intriguing side-plot of his children's growing curiosity and involvement with their eccentric, hermit-like neighbor that no one's ever actually seen. He is, of course, Arthur (Boo) Radley, played by none other than Robert Duvall in his feature film debut.

If you like children's story, you would love this movie about how the world is shaped from their eyes.

If you don't ... you may find some entertainment in the picture of Southern US and the racial fight that was taking place at the time ...