(Story spoilers below).

I have a lot to say about Tomboy.

Tomboy is the story of 10 year old Laure, who moves to a new town and begins to present herself as a boy to the group of kids that roam the neighborhood.

The way the movie portrays the complex relationships of children is wonderful. The dialogue is natural and realistic, and anybody who ever spent their childhood days roaming free will relate the way the kids have their own social structure and pecking order that has to be navigated. Zoe Heran is is obviously a highlight, playing Mikael to perfection as he grapples with identity and all the questions and confusion that come with it. Zoe can portray so many complex emotions much with just a look or a glance, and is nothing short of phenomenal.

The film never outright mentions the word transgender, but it’s clear throughout that Mikael is palpably uncomfortable playing the role of a girl (the scenes where he’s forced to wear a dress almost made my skin crawl - again a credit to Zoe Heran’s acting) and feels much more comfortable presenting himself to the world as a boy. He dresses in boyish clothes, has his bedroom painted blue, his hair is cut short and he and has all the mannerisms of a boy down to a fine art.

Mikael gradually earns his place amongst the group of kids, but despite the slow pace and quiet dialogue, there’s a tension throughout. You wonder how long Mikael can keep up the act for, particularly when it comes to the growing feelings of his friend Lisa.

Eventually it all comes crashing down. In the climax of the movie Laure is confronted and slapped by her mother, forced to wear a dress, outed to everyone she knows, alienated from her friends and forced to reveal her vagina to her former friends (ultimately this is sexual assault, and is a particularly hard scene to watch)

Now, I know this is within the realm of experience for transgender youth and I respect the film for not shying away from depicting it. To do so would have been a disservice. But ultimately the ending left me cold. Some have said the ending is left open deliberately and can even be interpreted as somewhat happy, but I just don’t see it. What Mikael went though is enough to scar someone for life, but this isn’t acknowledged at all - instead it seems as is he’s forced to deny all the feelings that pushed him to self-identity as a boy in the first place, and has to retreat back into the safety of the closet to please those around him. There’s no lighter moment after everything he went through, and the film ends with him seemingly back to square one and identifying as Laure, something he’d spend the entire movie trying to avoid.

I understand gender is fluid, especially at the tender age of 10, but I just wonder what young people watching this might take away from it all. That it’s safer to never step outside the rigid confines of gender and just pretend to be something you’re not? To hide your true self away because this is the what the result might be? I certainly hope not, but the film doesn’t exactly have a happy ending for Mikael.

I just don’t really understand what statement Céline Sciamma was trying to make with this movie.

_Tomboy_ is your little brother, a sweet, uncomplicated child whose purity makes loving him the easiest thing you'll ever do.

An 11-year-old kid moves to a new neighborhood and when a local girl introduces herself, he tells her his name is Mikaël. Later that evening, Mikaël takes a bath with his little sister and when he stands up to exit the tub... we realize Mikaël is a girl.

_Tomboy_ is the tale of this transgender adolescent and his struggles over the summer to keep his assigned gender a secret from his friends and the girl he's maybe falling in love with.

Céline Sciamma (writer of the brilliant _My Life as a Courgette_) wrote and directed this film in 2011 with a handheld SLR camera, and in only 20 days. She's getting a lot of attention recently because her latest film, _Portrait of a Lady on Fire_, made a splash at the Cannes Film Festival -- where it won best screenplay and the Queer Palm (and also explains the theatrical re-release of _Tomboy_) -- but while I enjoyed _Portrait_... _Tomboy_ is the better film.

_Portrait_... strives to be 'grand' film with it's historical setting and panorama shots of the coast but it doesn't always reach its mark, often because it feels smaller and more intimate than the pompous costume it dons.

Yet, much like its central character (played to perfection by Zoé Héran), _Tomboy_ knows exactly what it wants to be and reaches it, takes it, and makes it its home. It's simple, honest, and sincere which is precisely Sciamma's zone, and why Portrait felt the same despite its trappings.

The French deal extremely well with the concept of young children recognizing at a very early age that their birth gender isn't their real gender. _Ma Vie en Rose_ (_My Life in Pink_, 1997) broke ground in this area and remains a must-see in the genre, while Tomboy adds to it with a soul so pure it'll steal your breath.