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When people ask me my favorite genre, I usually reply with the admittedly annoying and cliche "I enjoy every type of film". While this is ultimately true, I do tend to love sci-fi and a couple of other genres more than the rest. I find sci-fi to be one of the most creative filmmaking sources, partially due to the infinite potential of its storytelling. From extraterrestrial life to an exploration of deep space, our world knows so little of what's beyond our planet, which makes the respective genre a perfect framework for imaginative, unique fiction. Voyagers features an interesting cast, but Neil Burger was behind the disappointingly hollow Divergent saga, so I couldn't help but go in with very low expectations.

Even anticipating a tough watch, I never thought Voyagers would be a contender for one of the worst flicks of the year. The general premise is far from being groundbreaking, even with the not-that-original spin that it puts on the "colonization of another planet" concept. Still, it's considered a formula because it worked on several other occasions. It just doesn't in this movie. The group of young people bred separately from the outer world could have received an innovative, inventive arc but instead follows an incredibly generic, dull, lazy character development path. The chaos and mayhem triggered by a single person - who just so happens to embody literally everything that's wrong with our society - is as extremely forced as it is utterly ridiculous.

In fact, it even raises logical questions regarding the premise of the film. Obviously, people can be born into the same place with the same education, morals, and everything that comes with growing up and still develop a distinct personality. However, Burger doesn't demonstrate why some characters end up challenging the authority and questioning their purpose. Everything happens because it needs to happen. A character performs an irrational action because the plot demands it. Most of the story development is given through absurdly childish dialogues, where a character repeatedly asks "why?" to someone with some sort of an answer.

Burger's screenplay barely survives due to the lack of any exciting characteristic. From an obviously misleading subplot to the frustratingly predictable main narrative, this movie carries zero surprises. The horrendously choppy, abrupt editing work (Naomi Geraghty) turns an already complicated watch into something borderline irritating. Add weirdly creepy, nonsensical imagery of random life events on completely arbitrary points of the runtime, and Voyagers becomes a really hard film to genuinely enjoy. With no flow between scenes, the primary mission is lost in the first minutes, and the characters fail to complete any resemblance of an arc.

Actually, it's ironically funny how Isaac Hempstead Wright (Bran Stark in Game of Thrones) continues the trend of not doing anything relevant in a movie or TV series. Unfortunately, not even the cast saves this disaster. Tye Sheridan (Dark Phoenix), Lily-Rose Depp (Crisis), and Fionn Whitehead (Dunkirk) try their hardest with the poor scripts, but some line deliveries are truly cringe-worthy. Colin Farrell's (The Gentlemen) character suffers from one of Burger's numerous bad decisions, ending up as yet another forgettable component of the film. The ending arrives way too fast, something that attests to the way too fast pacing.

In these cases where I struggle to find positives in the two pillars of any movie - story and characters - I turn to the technical elements to help me out. Sadly, Voyagers is one of the rare one-location films that doesn't feel suspenseful or claustrophobic, despite many efforts. From the surprisingly ordinary score (Trevor Gureckis) to the by-the-numbers camera work (Enrique Chediak), there's not a single aspect I can take with me as an "at least that was great" thought. I guess the set design looks futuristic enough for a spaceship, but once again, it's nothing viewers haven't seen before.

Voyagers holds a well-known, successful sci-fi formula and takes it through the most uninteresting, unsurprising, frustratingly generic development path. Neil Burger's screenplay fails to deliver a creative, captivating story with compelling characters, offering the complete opposite. From the terrible editing work to the extremely lazy plot development, passing through cringe-worthy dialogues and randomly weird, irrelevant imagery, it's tough to find a positive aspect in such a hollow movie. Even though most of the runtime is spent in a single location, the suspense levels are close to zero. The themes of the story are clear from the get-go, but the execution of almost every plot point or character action feels incredibly forced. The set design is the only technical component worthy of some appreciation. Not even a talented cast can overcome the awful scripts. A contender for one of the worst films of the year.

Rating: D-