A fly-on-the-wall documentary following disgraced US Congressman Anthony Weiner’s campaign to become mayor of New York.

In case you are not familiar with the story, Anthony Weiner was involved in a sexting scandal that started with him posting a dick pic to his public Twitter account by mistake. The documentary kicks off a couple of years later, as his mayoral campaign takes off in spite of his reputation.

Then, as if the film making gods were smiling down upon us, another scandal breaks out as they are shooting the film. You get to see a career unravel in real time from the perspective of the person at the centre of the shit sandwich.

The whole thing is made more spectacular by the fact that Weiner is married to Huma Abedin - Hillary Clinton’s senior aide. Arguably the most interesting parts of the film are watching her standing in the sidelines, incredulous.

In terms of raw footage, this has to be one of the greatest documentaries ever made. It’s pure gold. The story seems to just tell itself, and so much crazy shit happens that I just sat there, mouth agape, not quite able to believe what I was seeing. One of the best films of the year.

http://benoliver999.com/film/2016/08/19/weiner/

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Chances are, you already know how the story of disgraced former New York congressman Anthony Weiner plays out. You may think “Weiner,” a documentary about the man’s unsuccessful New York City mayoral run, will just be a series of ‘been there, done that’ storytelling. I had the same trepidation going into the screening for this film but instead left the theater having viewed a riveting, engrossing, expertly crafted documentary.

Some viewers may find this film exploitative, focusing too much on Weiner’s personal life that is, quite frankly, none of our damn business. Political junkies (like myself) will delight in this compelling behind-the-scenes peek at the inner workings of a campaign in crisis mode. Watching public relations tactics changing from offensive to defensive is absolutely fascinating, and this timely documentary also tackles the media’s rabid obsession with scandal (and reveals the true power of their public influence when it comes to electing our governing officials).

“Weiner” digs deep in its look at the professional and emotional damage that a political scandal can inflict. Directed by Josh Kriegman and Elyse Steinberg, the film obviously started out as a celebratory highlight reel to feature the delight of a disgraced candidate’s comeback. Early scenes in the film are cheerful, filled with boisterous scenes of neighborhood campaigning and percolating with a general ‘yes we can‘ atmosphere. All of this suddenly comes crashing down as we watch, on film, the breakdown of a candidate’s dreams, ideals, and a huge chunk of his personal life.

Weiner is married to Hillary Clinton’s long-time right hand woman, Huma Abedin. Huma is one smart, strong and tough woman, but it’s seriously sad to watch a marriage nearing collapse under the weight of a sexting scandal. Whether intentional or not, this film heavily implies spousal emotional abuse. There are many instances where the camera captures a teary-eyed Abedin with her head hung low, crossing her arms and sadly staring off into space. I have much respect for the family for allowing the camera to hang around, even during some uncomfortably tense and very embarrassing personal moments.

Most viewers will know that Weiner (aka ‘Carlos Danger’) is a trainwreck when it comes to his personal life and most know the outcome of the race for mayor, but this film is still completely mesmerizing. The man’s a political survivor, driven with a sincere desire to work hard to make his city great. His policies and beliefs all make sense — so why can’t this guy keep his stuff together and quit sending naughty photos and inappropriate texts? The most compelling scene in the entire film is when he’s asked on camera if he thinks he “has a problem.” Weiner’s candid response is as weighty as it is revealing.

The smart ‘show don’t tell’ angle of this film makes it a winner. While it doesn’t quite reach the heights of my personal ‘Hall of Fame’ docs like “Man On Wire,” “Grizzly Man” or “The Act of Killing,” the film is clear, concise, well edited, and a prime example of what all documentaries should aspire to be.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**