Shockingly awful. There was no reason for this to be as bad as it was. This is another one of those films, like _The Banana Splits Movie_ that uses one of the unused/scrapped scripts thrown out by Scott Cawthon as he works on his _Five Nights At Freddy's_ movie. Studios see some potential in the scripts and just change around the aesthetic to adapt it. Nicolas Cage has a producing credit on this and I don't know why. What a shithead move to not have him speak the entire movie. If they were going for a Man With No Name approach, he should have a couple lines, really killer ones. The idea he says nothing is a comically ridiculous waste. There's no reason for him to be there then. Go Doomslayer if you want the silent killer. Give him a scarf over his mug and cowboy hat, it would complete his look, and then Cage wouldn't require a big check. None of the characters are memorable, recognizable, have any attachment to the story, or warrant the screen time they're given. Characters don't play to any specific strengths or weaknesses. Their names are spoken one or two times, none of them add to the world building or have connections to this restaurant. Any characters that have a chance of redemption are killed on the spot without a second glance, making their place in the script meaningless. Even the sympathetic sheriff groomed by the head sheriff doesn't get his moment to shine, he's unceremoniously killed in a lame, unrealistic situation where somehow an animatronic stowed away in the cop car. The levels of turning your brain off you have to do to even tolerate what's going on are to many to permit. Only one, named Liv, cares about doing the right thing. Neat. She cares about this old, creepy birthday palace why? I don't know. The lore is taken right from FNAF's pages, people possess animatronics to cause havoc, only here, it's serial killers. For what purpose? I have no clue. They only get fed every time the town's folks tricks a passerby to become a night janitor. How often does that happen? It's all just thrown in to one horrible exposition dump as Cage stands there with the same expression he has the whole movie. There's even a second exposition free for all that repeats all the points from the first one, only from the perspective of the townsfolk, and it comes right in the middle of an interesting scene between one of the kids and a suit. When we cut back, the kid is immediately killed. Why does the dude drink that brand of soda and on every break conveniently timed and looped throughout the picture? The only way this story would've been enjoyable is if it was an actual video game, Duke Nukem style. This is the cinematic equivalent of watching someone play Doom, but you don't get to experience the gameplay yourself, it's terrible. It's not even good exploitation. The blood effects are below the grade of a YouTube video, very obvious Kool-Aid mixtures for blood effects that come out of people's mouths. An excuse for violence is a staple of exploitation flicks for sure, but come on, we're far above the lowest tier trash that comes out of the genre. Most others in the medium are far better than this. To call this a slasher movie is insulting to other gore fests. Every scene is a loop. Janitor guy beats the shit out of a suit, he cleans up, takes his break with a soda, stares at the creepy guys on stage, and loop. This happens six times in the runtime; abysmal. It's a joke in itself, shots repeat like the tossing of a soda can in the garbage, like this shit thinks it's clever. If you want that, have some progression. Maybe that pinball game he cleans up, he gets better at and scores a higher score after each time he defeats a suit. No thought put in to anything, no themes. That ties in to the editing. You're not Edgar Wright. Quick cuts and neon lighting is overused now, you aren't interesting and it doesn't even fit the aesthetic of the time or location. Some of the reaction shots are laughable; like Cage will be punching the shit out of a dude, the camera is all wobbling and up close to be intense, then it cuts to a wide static shot of Liv standing there with a dumbfounded reaction on her face, which completely breaks the engagement of the fight, and then it cuts back to that shaking extreme close up of Cage fighting. It's distractedly awkward. The care to environments and visual effects are of a student film. Balloon lights, lighting equipment, and other junk can be seen in a few shots. The camera work is either over produced or television sitcom, most of the time switching in between shots. The setting of Willy's is small and pathetic, like a little store they rented out for the film. One ballpit, a side room for a birthday table, a kitchen where one pinball machine is located, and a very tiny arcade. As for the animatronics, you have to make me believe these were intended to be cute and friendly. _The Banana Splits Movie_ understood this, considering they used actual Hanna Barbera characters so that was their original purpose, but these monstrosities are freaky even in the upbeat commercial. At least try to be subtle with your costume design, or have it so they flick a switch and change appearance to something demonic. It could tie in to the story's core element of Satanism being at the heart of this dandy play place. About the only satisfying scenes are Cage's final music video dancing to the pinball machine and the head sheriff's death by Willy. The score is also decent. Two points for this dreck.

As it goes in the film world, there will be plenty of critics who will think they are “too good” for a ridiculous movie like “Willy’s Wonderland,” an outrageous, audience-pleasing popcorn flick with an 80s slasher vibe. This film is one that feels like it’s made expressly for fans of the horror-comedy genre, and its terrific premise, badass hero, and throwback grindhouse sentiment check all the boxes for a successful journey to becoming a midnight cult classic.

A quiet loner (Nicolas Cage) becomes stranded in a remote town when his car breaks down. Unable to pay for the needed repairs, he agrees to spend the night cleaning up the local abandoned family fun center known as Willy’s Wonderland. Little does he know that he has just signed up to be the janitor for a place believed to be haunted. Things haven’t been the same since the rumors about missing children (and evil animatronics) took over the town. As the night progresses, the man discovers that the life-sized fuzzy mascots have minds of their own, and he must fight to the death in order to survive to see the sun rise.

The story is solid all around and if you suspend disbelief, the plot is actually plausible. There are supernatural elements and lots of humor, and the Janitor is the horror hero we didn’t know we needed. Kevin Lewis has a terrific eye for direction, a natural at knowing exactly what the audience wants to see and how they want to see it (and delivering just that). The pacing is excellent, too. The film ends with a set-up for an eventual sequel that I really, really hope happens.

The most appropriate word I can find to describe this movie, and one that fits in almost any discussion of the film, is “rad.” The awesome, primitive puppet costumes for Willy the Weasel and his tribe of murderous pals (Tito the Turtle, Siren Sara, Ozzie the Ostrich, and Knighty Knight, to name a few) are absolutely hysterical, the perfect pair for the equally amusing low budget horror effects. Even better is Cage, who brings that certain je ne sais quoi to his character, a soda-guzzling, pinball-loving man of few words (the actor doesn’t speak any dialogue in the movie).

This isn’t a movie that you’re supposed to take seriously, and that’s what adds to its charm. “Willy’s Wonderland” is tons of bloody fun, especially if you want to watch Nic Cage beat the shit out of possessed serial killer animatronics. And quite frankly, isn’t that all of us?

I went into this thinking that it could not be that bad of a movie, and I was right and wrong at the same time. Nick Cage didn't say a single word the whole movie; the closest he got to one was when he was fighting and said "ah". All the other characters seemed unimportant, other than the girl and the animatronics. This movie is in no way scary. I was scared of the animatronic Sara; at least I think that's her name. The others looked too goofy to be scary. At points in the film, the screen seemed stretched, squished, or even wobbly. The plot is just the premise of Five Nights at Freddy's, which has just changed to be more unique. The rebel kids seem like any stereotypical group of people in a horror film. Smart kid, dumb kid, dumb but hot kid, rational kid, and the leader kid that is more daring to endanger themselves than anyone else. I call them kids because they are referred to as that in the film, but what I assume they were going for is that they are teens who do things for the sake of, why not just end this? Right, but to me, they are young adults who do things for the sake of, why not? Nick Cage beating up the animatronics is enjoyable to watch, and I think they outdid themselves by making those parts good. The sex sense that, for some reason, exists The gator was just kind of watching them; ya know, hit it on... Like the gator watched for a long time. A weird amount of time. Now at the end, Nick Cage gets his sweet ride, and the one girl is there and just gets in his car without exchanging words, like Nick Cage was going to say anything anyway, but it was just weird to me. She seems unphased, kind of, even though she watched and saw her friends get murdered by animatronics. She casually drinks Nick Cage's "Punch" soda, and that's it. The ending is just weird. I feel like they ended it with Tex and the mechanic guy dying just so everything related to the building gets knocked down, other than the girl, I guess. Weird ass movie. Like wow. Oh, did I even mention that it seemed like Nick Cage was weirdly attracted by a pinball machine in the kitchen? This movie was wack.

I went into this thinking that it could not be that bad of a movie, and I was right and wrong at the same time. Nick Cage didn't say a single word the whole movie; the closest he got to one was when he was fighting and said "ah". All the other characters seemed unimportant, other than the girl and the animatronics. This movie is in no way scary. I was scared of the animatronic Sara; at least I think that's her name. The others looked too goofy to be scary. At points in the film, the screen seemed stretched, squished, or even wobbly. The plot is just the premise of Five Nights at Freddy's, which has just changed to be more unique. The rebel kids seem like any stereotypical group of people in a horror film. Smart kid, dumb kid, dumb but hot kid, rational kid, and the leader kid that is more daring to endanger themselves than anyone else. I call them kids because they are referred to as that in the film, but what I assume they were going for is that they are teens who do things for the sake of, why not just end this? Right, but to me, they are young adults who do things for the sake of, why not? Nick Cage beating up the animatronics is enjoyable to watch, and I think they outdid themselves by making those parts good. The sex sense that, for some reason, exists The gator was just kind of watching them; ya know, hit it on... Like the gator watched for a long time. A weird amount of time. Now at the end, Nick Cage gets his sweet ride, and the one girl is there and just gets in his car without exchanging words, like Nick Cage was going to say anything anyway, but it was just weird to me. She seems unphased, kind of, even though she watched and saw her friends get murdered by animatronics. She casually drinks Nick Cage's "Punch" soda, and that's it. The ending is just weird. I feel like they ended it with Tex and the mechanic guy dying just so everything related to the building gets knocked down, other than the girl, I guess. Weird ass movie. Like wow. Oh, did I even mention that it seemed like Nick Cage was weirdly attracted by a pinball machine in the kitchen? This movie was wack.