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Ways of Seeing

 (1972)

Streaming Episode Guide

Ways of Seeing
8.2
| Top 5 Episodes
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Season1
Ways of Seeing  
8.2
John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole hose of assumptions concerning that nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.
Commercial Art
Episode 4 - 1-29-1972
30m
In the fourth programme, on publicity and advertising, Berger argues that colour photography has taken over the role of oil paint, though the context is reversed. An idealised potential for the viewer (via consumption) is considered a substitution for the actual reality depicted in old master portraits.
 8.3/10
Set Title Status
Haven't Seen
Commercial Art
Collectors and Collecting
Episode 3 - 1-22-1972
30m
The third programme is on the use of oil paint as a means of depicting or reflecting the status of the individuals who commissioned the work of art.
 8/10
Set Title Status
Haven't Seen
Collectors and Collecting
Women in Art
Episode 2 - 1-15-1972
30m
The second film discusses the female nude. Berger asserts that only twenty or thirty nudes in the European oil painting tradition depict a woman as herself rather than as a subject of male idealisation or desire.
 8.2/10
Set Title Status
Haven't Seen
Women in Art
Psychological Aspects
Episode 1 - 1-08-1972
30m
The first part of the television series drew on ideas from Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction arguing that through reproduction an Old Master's painting's modern context is severed from that which existed at the time of its making.
 8.2/10
Set Title Status
Haven't Seen
Psychological Aspects
Top 5 Episodes
Top 5 Highest Rated Episodes
Commercial Art
Episode 4 - 1-29-1972
30m
In the fourth programme, on publicity and advertising, Berger argues that colour photography has taken over the role of oil paint, though the context is reversed. An idealised potential for the viewer (via consumption) is considered a substitution for the actual reality depicted in old master portraits.
 8.3/10
Set Title Status
Haven't Seen
Commercial Art
Psychological Aspects
Episode 1 - 1-08-1972
30m
The first part of the television series drew on ideas from Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction arguing that through reproduction an Old Master's painting's modern context is severed from that which existed at the time of its making.
 8.2/10
Set Title Status
Haven't Seen
Psychological Aspects
Women in Art
Episode 2 - 1-15-1972
30m
The second film discusses the female nude. Berger asserts that only twenty or thirty nudes in the European oil painting tradition depict a woman as herself rather than as a subject of male idealisation or desire.
 8.2/10
Set Title Status
Haven't Seen
Women in Art
Collectors and Collecting
Episode 3 - 1-22-1972
30m
The third programme is on the use of oil paint as a means of depicting or reflecting the status of the individuals who commissioned the work of art.
 8/10
Set Title Status
Haven't Seen
Collectors and Collecting
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