Everybody Knows

Like driving circles on the motorway: there's a lot of movement but it doesn't really go anywhere.

Aesthetically flawless and brilliantly acted, but too melodramatic and generic for me More a dark psychological study of people under extreme pressure than the kidnapping thriller as which it's been marketed, the film examines what can happen when such pressure causes long-buried secrets to rise to the surface, how they can bring some together and tear others apart, often because of misunderstandings as to what is and what isn't common knowledge, with characters both underestimating and overestimating what others know about their lives. However, although beautifully shot and exceptionally well-acted, Todos is easily the weakest film in Farhadi's filmography. Whereas his previous work is elegant, nuanced, and perfectly formed, Todos clumsily falls back on clichéd genre tropes and heavy-handed melodramatic plotting, with the narrative hinging on the revelation of a secret so obvious, I'm not even sure you can call it a plot twist. For my complete review, please visit: https://boxd.it/Fzewp