_**Dreamlike Euro-horror with Telly Savalas and Elke Sommer**_

A tourist (Sommer) in Toledo, Spain, gets lost in the alleyways of the ancient city and ends up at a castle-like manor with a few other guests run by an aloof countess and her hospitable son, not to mention a too-smug butler (Savalas).

One of Mario Bava’s last films, "Lisa and the Devil” (1973) is similar to “The Devil’s Nightmare” (1971) mixed with “Carnival of Souls” (1962) and elements of “Psycho” (1960). While the movie was successful at festivals, a distributer couldn’t be found and so it was re-edited with newly shot footage involving a priest and a possessed protagonist to take advantage of the popularity of “The Exorcist” (1973), then released as “The House of Exorcism” (1975). This review concerns Bava’s original film and not the butchered version.

With Bava at the helm, this is an artistic and colorful film. I’d watch it over “Carnival of Souls,” but it’s nowhere near as entertaining as “The Devil’s Nightmare” or as compelling as the great “Psycho.” It’s similar to Bava’s "Baron Blood" (1972), just more surreal and not as engaging. But if you appreciate flicks like “Carnival of Souls” and "Haunts of the Very Rich" (1972) check it out. It’s interesting to (try to) put the pieces together and interpret it.

Elke doesn’t do much for me. I love Sylva Koscina, who was 39 during shooting in late 1972, but she doesn’t look good with a hairstyle & getup from the 1920s. She was mind-blowing just a few years earlier in “Hornets' Nest” (1970). Unfortunately, youth & beauty fade.

Savalas was trying to quit smoking at the time and so is often seen sucking on a lollipop, which would become iconic in his TV series Kojak that went into production shortly after this.

The film runs 1 hour, 35 minutes, and was shot in the heart of Spain, Toledo and Madrid; with the airport scenes done on the northeast coast at Barcelona Airport in Barcelona.

GRADE: B-/C+

"Devil in the House of Exorcism" is an alternative title to "The House of Exorcism" which is a really weird poster to have with this version of the movie, because this one - as title and year clearly state is the original version as Mario Bava intended it (for the other look up "The House of Exorcism" there - I have written a review for that one as well explaining the differences to this version).

This one is "Lisa and the Devil" - Lisa e il diavolo, and it is by some considered to be Bavas masterpiece. You can really recognize the totally different style that Bava uses in this movie, it's poetic, full of symbolism and metaphors. A lot of scenes show his genious for those times, take for example the opening scene that is extremely depressing, or the love triangle during the car ride, where the viewer understands what is going on without anybody saying a word - just because of the way Bava shot the scenes.

Still especially in the first half the movie has a number of weary lengths, and there is hardly any suspence or excitement, except for all the symbolism and metaphores that Bava installs. Only when leaning towards the end does this movie turn into a horror movie.

Thoug having yet another movie with genious camera work I still do also miss all the technical finess, that I used to see in his first movies (think about Black Sunday, that is full of craftmanship, when it coms to inventing new and extrodinary effects for the movies. Stuff that today we ask the PC to do without even thinking about it - but that where - during that time impossible to get shot - and yet he somehow did it and invented innovative ways to film those. I miss that in this movie.

Still it is an interesting piece of art, and something you should spend some time with, when you see it. In the beginning I was like "This is a 5/10", but looking at all the extras, understanding what he did and why he did it - and what makes it ingenious - those where the things that made the movie even more interesting. I guess it's hard - at least to me - to fairly critizise movies from so many decades that we cannot even begin to understand what amount of work simple scenes consumpted. And taking all those factors into consideration I end up with 7/10 Points.