One of the best Mike Leigh movies I've seen. Great dialogue and characters. The story follows Johnny who is socially isolated, and sort of living in despair. Out of the two main male characters Johnny is more misantropic where as Jeremy is more filled with a sadistic hatred. Exellent portrayal of outsiders. There aren't many movies with charcters like this, done this well. A super tight movie until near the very end and it kind of loses it's intensity, focus and resolve; but still good. Not too keen on the ending, and not because I wanted the story to end on high, but because I don't think the illogical rash things Johnny does gels with his character. There is also no clue as to why he makes these destructive decisions, which cN come across as contrived grittiness in the end. When I think about Jeremy he seems more of a red herring than a fleshed out character, as I didn't feel there was a pay off to him. I think Jeremy did serve some purpose for intrigue and dark tone. Some people over at imbd get bogged down on if Johnny was intellectual or not like its a big deal. I think Johnny was intellegent at times but its more awareness. I don't feel he was conventionally intellegent or had above intellegence and he sometimes used his intellect to be cynical and manipulative, which is who he was.
Still this is way better than the average movie and a show of skill, but a bit of an empty journey.

Mike Leigh's 1993 film NAKED is a drama on sexual relations -- how men hurt women, how some women accept that hurt out of low self-esteem and a desire to be wanted or supported. It is distinguished by its remarkably lifelike characters. Most of the film was worked out in improvisations for several months before shooting began. Leigh wanted his actors to create elaborate back stories for their characters, fully living inside of them so that when the cameras started rolling they would be completely convincing.

As the film opens, Johnny (David Thewlis) has to flee Manchester after a sexual encounter with a married woman turns into rape and she threatens to set her husband after him. Stealing a car, he heads to London to crash at his ex-girlfriend Louise (Lesley Sharp), gets involved with her flatmate Sophie (Katrin Cartlidge), and spends a couple of nights homeless in London. Interspliced with this are scenes of Jeremy, a rich real estate broker whose sexual conquests serve as an upper-class counterpart to Johnny's own. Naturally the viewer is led to wonder what will happen when these two men meet.

Something is wrong with Johnny, he answers anything said to him with a rambling torrent of words, a logorrhea that is a form of intellectual bullying; this deeply wounded man seems to feel the best defense against the cruelties of the world is a good offense. Only 27, Johnny is so wasted that he is taken for much older. In this, Thewlis's performance is one of the masterful screen portrayals of an eccentric or mentally ill person, like Dustin Hoffmann in RAIN MAN or Peter Sellers in BEING THERE.

But all of the characters here are memorable, and my thoughts have often gone back to them in the time since I saw this film. I do have reservations about the plot, inasmuch as the last scenes of the film (which were decided only late in the filmmaking process) too suddenly change the tone and may seem anticlimactic. Nonetheless, I would recommend this film and believe it a great one in spite of its undeniable flaws.