The most timeless film of the Hughes / Ringwald / Brat Pack era, and clearly the most serious, personal work of the director's career. The Breakfast Club is an up-close, introspective look at five essentially disparate souls who share one cramped Saturday together in detention and, along the way, discover there's much more to their peers than what they wear and who they hang with.

Reminiscent of theater, much like the closed-room classic 12 Angry Men, this isn't a flashy picture but it really doesn't need to be. This film rides entirely on the strength of its authentic, revealing dialog and the astonishingly mature, resounding performances of its cast, who contribute many of the sharpest, most memorable lines via ad-lib. It's about trust (or lack thereof), pushing others' buttons, being honest with oneself, testing new boundaries and revealing a shared, deep-seated uneasiness about the perilous approach of adulthood and its inherent responsibilities. Emotions run high at this age, and they respect no class distinctions.

The cast may be extremely small, but it delivers across the board; Judd Nelson's damaged loner, Ally Sheedy's bashful antisocial, Anthony Michael Hall's over-stressed bookworm, Emilio Estevez's high-strung jock, Molly Ringwald's pretentious priss. Each role a potential career-maker, and not a missed note in the bunch. It's an existential essential, a notice to uncertain adolescents that somebody understands, and a reminder to their grown-up counterparts that they, too, were once just as troubled.

This movie is incredible. But that ending was utter trash (mostly)

The way the characters are introduced truly tells the audience who these people are, which is the then even further amplified by the meals they decided to eat. Each unique and matching their personality.

[spoiler] Now when I say the ending, I don't mean the last act. I mean the last 5 minutes. Completely changing the appearance and in some ways altering the way she acts. It very much felt like a forced romance with two characters that had no romantic flair. [/spoiler]

[spoiler] Characters from best to worst:
Allison
Brian
Andy
John
Claire
Richard [/spoiler]

[spoiler]I really wish Claire and John has a more interesting storyline but it was quite boring and overly predictable. However, the Allison and Andy relationship felt completely out of nowhere and changed her character away from the weirdo and into traditional girlfriend stereotype. Whereas all of the other characters tend to stay very much the same but become friends. Realising not to judge a book by its cover. [/spoiler]

After doing some basic reading on the film, there was meant to be a sequel every ten years. Which has sadly fallen through due to arguments and mishaps. I really would have liked to have seen a sequel or two in this format.

Click here for a video version of this review: https://youtu.be/tCnm1BN1iAs

The brain, the athlete, the princess, the basket case, and the criminal - yes we’re talking about _The Breakfast Club_. It’s been dubbed as a seminal film of the 1980s and takes a place as an intergenerational classic.

_They were five students with nothing in common, faced with spending a Saturday detention together in their high school library. At 7.00am they had nothing to say, but by 4.00pm they had bared their souls to each other and become The Breakfast Club._

Directed by John Hughes and starring Judd Nelson, Molly Ringwald, Emilio Estevez, Anthony Michael Hall, and Ally Sheedy it rightly deserves that spot as a revered movie. It's very much a comedy-drama and is surprisingly deep in parts, like the scene toward the end where they are all explaining what they did to get the detention. The acting is brilliant, and even though there is a very small cast, its basically the five members of The Breakfast Club and the Vice Principal, they hold your attention because they are so good.

What I particularly liked was how they took the standard college stereotypes and then slowly deconstructed them over the course of the movie, and showed that they actually all had a lot in common. They all had their loves and hates, their sensitivities, and the burden of expectation from their parents, the school, and society as a whole.

It's funny, it's sad, and by the time it concludes, it's quite uplifting, and if it's been a while since you saw it, it might be time to load it up for another look. If you've never seen it, then I suggest you check it out for a great time capsule of a movie that has themes that still resonate today.

_**Forced, artificial dialogs with eye-rolling character arcs**_

Released in 1985 and written & directed by John Hughes, "The Breakfast Club" is a teen dramedy about five high school students from five different sub-cultures during an all-day detention over the weekend at their suburban Chicago school. Molly Ringwald plays the popular girl, Emilio Estevez the jock, Anthony Michael Hall the Brainiac nerd, Judd Nelson the dope-smoking rebel and Ally Sheedy the neurotic misfit. Paul Gleason and John Kapelos are on hand as the host principal and janitor respectively

This movie has a big reputation as an 80's teen flick, but I was wholly disappointed. Most of the discussions between the five students from different cliques come across contrived and unconvincing. Some of the dialog is actually cringe-inducing.

The hoodlum could've worked as a character, like the Fonz or Vinnie Barbarino, but he's such an annoying, loud-mouthed jerk that he loses all sympathy, particularly when he verbally rapes the redhead on multiple occasions for no ostensible reason. *** SPOILER ALERT*** The fact that the two end up together at the end adds insult to injury. ***END SPOILER*** Not to mention two others that unrealistically couple up.

It's strange that "The Breakfast Club" is billed as a comedy because there's very little that's funny, although it's occasionally entertaining, like some of the music sequences. Unfortunately, Hughes wasn't into the heavier side of rock and so the soundtrack consists solely of bland 80's new wave bands, like his other 80's teen flicks (e.g. "Sixteen Candles," "Pretty in Pink" and "Ferris Bueller's Day Off"). Don't get me wrong, there are a couple of quality songs, like "We Are Not Alone" by Karla DeVito, but where are the heavier popular bands of 1984, like Van Halen, Scorpions, Judas Priest, Ratt, Dokken, Queensryche, Def Leppard, AC/DC or Motley Crue? Is it asking too much to have ONE song that actually rocks?

But the music is the least of the movie's problems (and isn't really a problem at all, except that there aren't any heavy tracks). The actors are fine, but Hughes' dialog is unconvincing. As such, you don't buy the characters. The script needed a serious rewrite.

The movie runs 97 minutes and was shot in the suburbs north of Chicago.

GRADE: C-

An absolute classic, and no mistake. If you disagree, sorry, you're wrong. John Hughes was an utter genius.