The irony of this film is that it is supposed to show the evils of racism while casting the all too white Charlton Heston, Akim Tamiroff and Marlene Dietrich as Mexicans. Aside from this irony, the film is one of the most important films within the genre of Film Noir for good reason. The cinematography in the first and last scenes are pure brilliance. This is arguably one of Orson Welles best films, both as an actor and director. If you do watch it make sure and watch the reconstructed version, based on Welles original desire for the film.

Supposedly this is a classic, and part of the "canon" of great films. I dunno, seems all over the place and badly directed/written to me. But maybe that's because I can conceive of Mexicans as people not criminals. Also Brownface much!

Aba Cinema 2: version suggested by Welles, image 3.5 / 5 . Actors well, Orson Wells and his plans and frames, but over one hour begin to spin about the same and not convince me

Watching the reconstructed version of the film, the opening sequence is rightly lauded as masterful and sets up the film perfectly. With so much of the film set at night too, Welles use of black and white cinematography is stunning and it is easy to see why this film has been much imitated since. Whilst the story ostensibly follows an investigation into a car bombing, the real hook is the battle between Heston's straight-laced character and Welles' corrupt detective. Watching today, it is hard to accept why they decided to cast Heston as a Mexican character, but he does have a certain screen presence here that is much needed given that Welles' character is a fantastic creation and commands the screen every time he is on. What doesn't work quite as well is Leigh's character and her initial involvement in the first half of the film is less interesting, even though she is cleverly worked into the main plot for the final act.

If you can get past Charlton Heston and Marlene Dietrich (!?) as Mexicans, the film's a gem. Outstanding performances and Welles at his best since Kane.