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Touch of Evil Poster

Touch of Evil

PG-13
Movie
1958
1h 51m
English
Crime, Thriller, Mystery
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.
Rating
WATCHMODE
8.1
IMDB
Touch of Evil (1958) on IMDb
CRITIC SCORE
97

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Charlton Heston
Ramon Miguel Vargas
Janet Leigh
Susan 'Susie' Vargas
Orson Welles
Police Captain Hank Quinlan
Joseph Calleia
Police Sergeant Pete Menzies
Akim Tamiroff
'Uncle' Joe Grandi
Joanna Moore
Marcia Linnekar
Ray Collins
District Attorney Adair
Dennis Weaver
Mirador Motel Night Manager
Mort Mills
Al Schwartz - District Attorney's A...
Victor Millan
Manelo Sanchez
Lalo Rios
Risto - Grandi's Nephew
Michael Sargent
Pretty Boy
Harry Shannon
Chief Gould
Joseph Cotten
Coroner (uncredited)
Zsa Zsa Gabor
Strip-Club Owner
Joe Basulto
Young Delinquent (uncredited)
Yolanda Bojorquez
Bobbie (uncredited)
Domenick Delgarde
Lackey (uncredited)
Jennie Dias
Jackie (uncredited)
John Dierkes
Policeman (uncredited)
Eleanor Dorado
Lia (uncredited)
Directed By: Orson Welles
Written By: Orson Welles (Screenplay), Whit Masterson (Novel)

Featured Comments/Tips

bondless says...
5 years ago
The irony of this film is that it is supposed to show the evils of racism while casting the all too white Charlton Heston, Akim Tamiroff and Marlene Dietrich as Mexicans. Aside from this irony, the film is one of the most important films within the genre of Film Noir for good reason. The cinematography in the first and last scenes are pure brilliance. This is arguably one of Orson Welles best films, both as an actor and director. If you do watch it make sure and watch the reconstructed version, based on Welles original desire for the film.
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ecnef says...
5 years ago
Supposedly this is a classic, and part of the "canon" of great films. I dunno, seems all over the place and badly directed/written to me. But maybe that's because I can conceive of Mexicans as people not criminals. Also Brownface much!
Like  -  Dislike  -  Comment  -  001
Juliosoft says...
8 years ago
Aba Cinema 2: version suggested by Welles, image 3.5 / 5 . Actors well, Orson Wells and his plans and frames, but over one hour begin to spin about the same and not convince me
Like  -  Dislike  -  Comment  -  000
simonynwa says...
10 years ago
Watching the reconstructed version of the film, the opening sequence is rightly lauded as masterful and sets up the film perfectly. With so much of the film set at night too, Welles use of black and white cinematography is stunning and it is easy to see why this film has been much imitated since. Whilst the story ostensibly follows an investigation into a car bombing, the real hook is the battle between Heston's straight-laced character and Welles' corrupt detective. Watching today, it is hard to accept why they decided to cast Heston as a Mexican character, but he does have a certain screen presence here that is much needed given that Welles' character is a fantastic creation and commands the screen every time he is on. What doesn't work quite as well is Leigh's character and her initial involvement in the first half of the film is less interesting, even though she is cleverly worked into the main plot for the final act.
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Featured User Reviews

drqshadow
4/10  3 years ago
On honeymoon with his new bride, a Mexican narcotics officer is unwittingly drawn into a web of crime and corruption when he witnesses a fatal car bombing. Following the case with interest, he's repulsed by the brusque attitude and morally-questionable methods of the local authorities; particula More
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CinemaSerf
9 months ago
We start with a man putting a bomb in a car on the Mexican side of the border. When it explodes on the American side flattening the occupants, the local "Capt. Quinlan" (Orson Welles) decides to make a bit of a cursory investigation - in cahoots with his opposite number "Vargas" (Charlton Heston). W More
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Wuchak
6 years ago
Welles/Heston B&W cult noir is great on a technical level, but meh as a viewing experience

On the Texas border a Mexican detective (Charlton Heston) assists an American investigation into a shocking murder of an American official on the border, but he soon learns that the imposing & slovenly She More
Like  -  Dislike  -  Comment  -  000

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