Soldier Blue (1970)

Survivors navigate hostile terrain and moral dilemmas; ideal for fans of "Dances with Wolves" and historical drama enthusiasts.

Genres: Western, Drama

Cast

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Your Status

Soldier Blue(1970)

R
Movie1h 55mEnglishWestern, Drama
7.0
User Score
43%
Critic Score
IMDb

Where to Watch

Free

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Overview

After an ambush leaves two people stranded, a young soldier and a woman with firsthand experience living among the Cheyenne set out across harsh country to reach safety. As they face danger and uneasy allies, their clashing views on duty, survival, and justice spark tense conversations and an unexpected bond.

Insights

Review Summary

Pros: provocative anti-war angle; strong central pairing; memorable final stretch | Cons: uneven tone shifts; slow middle stretch; extreme graphic violence

Will You Like This?

If you want a Western that mixes survival travel, pointed social commentary, and a romance under pressure, this may landโ€”especially if you liked the revisionist edge of Pat Garrett & Billy the Kid; Not for you if graphic brutality or tonal whiplash is a dealbreaker.

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Featured User Reviews

Apparently the movie was made in protest to the atrocities committed by US soldiers in Vietnam, as there are parallels, but it also works as a historic Western. Actually, the movie is mainly a movie about two people, an a bit naive soldier and a white girl that was abducted beforehand by Indians, who want to get home. On this journey, they have, besides their adventures, some interesting conversations about the American natives and the white men, as she has seen both sides. I also like a lot how Candice Bergen plays the character of this strong, liberal, intelligent, beautiful and charming woman. She is certainly the real star of the movie. The finale of the movie depicts the savage attack by the US cavalry on an Indian village. After they have slaughter all the men with their superior weapons, they do not stop but continue to rape, mutilate and kill women and even children. This is depicted very graphically, though certainly still much less graphic than what it must have been in real life. This massacre is representative of such massacres that happened in history and, as said before, not only in the Wild West but also in Vietnam for instance. The last part is difficult to watch, but you should, as it should help prevent such atrocities in the future.

The R-rated cut of SOLDIER BLUE (1970) contains 100 minutes of a G-rated romance, bookended by 15 minutes of graphic, blood-soaked atrocities. Director Ralph Nelson doesn't pull any punches; disfigurement, immolation, decapitation, and impalement (amongst other acts of barbarity) splash across the screen - often in Sam Peckinpah-style slow motion. These opening and closing scenes have power; the problem is the 100 minutes we have to spend with the one-dimensional survivors of the initial Indian assault. Candice Bergen and Peter Strauss are given generic, facile characters to interpret; one is naive, one is worldly (of course); one is prudish, the other permissive (surprise); they gradually develop feelings for one another (if you didn't see that coming...). Donald Pleasance eventually shows up for some much needed variety, but it's not enough. If you're a fan of violent western-style action, you'll enjoy some of this. If you're fond of budding romance pics, then the love story might engage you. Everyone else would probably be better served by watching LITTLE BIG MAN (1970) again.

Wuchak
Wuchak
0/10

**_Playful Western Romance sandwiched between two brutal massacres_** After a paymaster cavalry unit is slaughtered by the Cheyenne in 1877, a surviving soldier and Indian sympathizer team-up to get back to the nearest fort (Peter Strauss and Candice Bergen). The young man struggles with contempt for what he considers a treasonous attitude along with his growing affection for the brash woman. Then he sees the awful truth firsthand. "Soldier Blue" (1970) is an entertaining, but odd Western. At heart, itโ€™s a fun romance between a patriotic military man and a profane โ€œfree-spiritโ€ who is able to survive the challenges of the American wilderness precisely because she has shed Victorian inanities. This is bookended by a Cheyenne-led massacre on a non-threatening cavalry group and the military massacre of a peaceful Cheyenne camp, filled with women and children. The latter is obviously based on the Sand Creek Massacre of 1864. I respect that the movie shows how massacres happened on both sides, but it stacks the deck against the Caucasian militants by showing them butchering women & children and not vice versa. The opening Indian attack ensures that the viewer's sympathies are with Honus (Strauss, the eponymous โ€˜Soldier Blueโ€™), so you travel the same journey as him: At first, regarding the Indians as bloodthirsty savages who have no qualms about committing mass murder and abusing corpses if itโ€™ll help them acquire firearms but, ultimately, ending up with the revelation that Honusโ€™ โ€˜tribeโ€™ can be just as barbaric when fitting, and even more so. Barbaric attacks applied to both uncivilized First Americans and more civilized New Americans, but more so with the former, which is documented. Since the 1960s-70s there has been an overemphasis on the injustices committed by the US military or militants/settlers and we get a handful of examples: Wounded Knee, Bear River and Sand Creek (the latter being what this is loosely based on). Yet we never hear the other side of what provoked these events, including the atrocities that First Americans committed against New Americans. We never hear of the Dakota "War" of 1862 where Santee Sioux went on the warpath murdering between 600-800 settlers, which constituted the largest death toll inflicted upon American civilians by an enemy force until 9/11 (civilians, not soldiers); The Ward Massacre; The Nez Perce uprising, which killed dozens of settlers in Idaho and Wyoming; and the Massacre at Fort Mims. We never hear of the countless innocent settlers (not soldiers) who were murdered by bands of young "warriors": While a chief was signing a peace treaty on the tribe's behalf, they were out robbing, raping and murdering. In short, it's easy to be pro-AmerIndian sitting on the comfort of your sofa, but not so much when you & your loved ones are threatened with gross torture, rape and slaughter in the wilderness. The Euro-settlers wanted the land and resources while the AmerIndians craved the valuable technology of the New Americans. Both sides used treaties for peaceable relations while still trying to get what they desired when war was too costly. Both opted for combat when deemed necessary. I should add that the real military leader who ordered the attack on the Sand Creek camp in southeast colorado, John Chivington, wasnโ€™t even an Army officer, but rather a self-appointed head of militia in the Colorado Territory during the Civil War when most capable men were away fighting for the Union in the East (remember, the real Sand Creek Massacre happened during the Civil War, not in 1877). The atrocity Chivington & his men committed at Sand Creek was separate from the US Army and not typical of government policy. In the immediate aftermath, Captain Silas Soule, an officer of the First Colorado Cavalry, condemned it as an unjust and savage massacre executed on a peaceful camp. Iโ€™m part Abenaki and love American Indian culture, but the Leftist whitewashing of Indian atrocities and the corresponding revisionist history is deceitful and unbalanced. "Soldier Blue" is guilty of this to a degree, but features enough balance to make it worthwhile (as opposed to the grossly dishonest โ€œTell Them Willie Boy Is Hereโ€ from 9-10 months earlier). It's entertaining and offers equilibrium concerning the Indian Wars even though its sympathies tend to be with the First Americans. The film runs 1 hour, 52 minutes, and was shot in Chihuahua and Sonora in northwest Mexico. GRADE: B

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