The Perfection (2018)

Dark and twisted musical thriller for fans of psychological suspense and Black Swan. Not for the faint-hearted.

Genres: Horror, Thriller, Drama

Cast

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The Perfection(2018)

Movie1h 30mEnglishHorror, Thriller, Drama
6.3
User Score
66%
Critic Score
IMDb

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Overview

A gifted musician returns to her elite former school and seeks out the new standout student. What begins as a tense reunion quickly spirals into a dark, unsettling ordeal, pushing both women into an unpredictable and increasingly sinister situation with shocking consequences.

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Review Summary

Pros: strong lead performances; unpredictable momentum; dark, provocative ride | Cons: uneven tone shifts; implausible moments; twists can overwhelm

Will You Like This?

If you enjoy twist-heavy, provocative thrillers that mix psychological tension with bursts of gore, this could work for you; Not for you if you want a straightforward horror or dislike graphic, unsettling scenes like in The Woman in Black.

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Featured Comments/Tips

Perfect? No, but it is very good. One of the best films I have seen recently, this is both surprising and shocking. The fact that this has so far scored averagely on this site at the time of writing - 53% - is also surprising and shocking. This is a well-crafted film that deserves to be watched, especially by horror fans jaded by predictability.

it could be good, it has the idea but fails so many times, I would not recommend this movie, even if you love thriller, horror movies, this movie it''s just basic.

Didn't know what to expect going in, a rare horror movie that genuinely leaves you feeling uneasy. A must watch.

This movie is quite good, I was NOT prepared from the cheesy trailer! I wish they had elevated the movie with a few editing choices (please never use the"rewind" effect, so tacky); if they had it would easily be on par with Black Swan. Still, it stands on its own as a unique and effective dark, twisty tale.

Too unlikely and many tricks in the script make you lose interest in the movie

I saw the first twist coming. Not, however, the second or third one. The first 30 to 40 minutes felt a bit long, but part of that might be because the film keeps you very much in the dark about what it will eventually reveal itself to be and it definitely picks up after that. It goes a bit overboard at times, it's definitely not for the squeamish, and I wouldn't call it a masterpiece, but in the end it's a well-crafted, VERY fucked up horror thriller.

Wasn''t the film I thought it was going to be. Glad I didn''t know too much about the plot beforehand.

Not perfection but still a strong string of gore, dark, twists, plot and cast that all did well in they roles.

Loved this movie. Was a excellent surprise to see something this quality on Netflix

Not a bad movie. There are three twists in the movie. The first does not count because it is obvious. And you are already expecting the last twist because of the second one. It is okay, but nothing too good. The typical Netflix fare, if you will have it, to watch on the weekend, and you won''t miss a lot even if you nod off and miss a few minutes here and there.

Featured User Reviews

As soon as I saw the reports that multiple people had complained to Netflix that this film had made them physically sick due to its graphic content I knew I would be doing myself a disservice as a horror fan by not checking it out. As normal these reports seem to have been largely exaggerated, this happens all the time as a new horror film is said to have gone ‘over the line’ and disturbed audiences for the actual film to be pretty standard in its themes and content. The Perfection is destined to be seen alongside the original Saw and Hostel in that general audiences seem to have gotten the image of something truly horrific and disgusting when in reality the gore is used sparingly as a way to enhance the dark subject matter. This film has so many twists in it that the final act feels as if you are watching a completely different movie. After a while I personally think that it bites of more than it can chew by trying to tackle a very serious subject matter despite still being a fairly goofy horror film. The first half is absolutely brilliant and I was honestly ready to call it a best of the year contender until the twists started to drag the film down a little. At first when the plot begins to unravel and things are shown to not be how they first seemed it feels fresh and interesting but after a while it gets in the way of the storytelling and I felt less and less invested in the plot despite the fact that the themes were getting darker and more serious. Allison Williams is absolutely remarkable in this film. There is a sequence towards the middle of the film where she really gets to shine proving that between this and Get Out she has the potential to be the best thing to happen to horror since Anya Taylor-Joy. Logan Browning is also great in this movie and I hope that she is able to use this as a stepping stone to better things. This film was clearly a big risk. The experimental presentation pays of greatly in some areas and can get in the way in others. I will always support new and interesting steps forward in the horror genre and even if I don’t think this is as good as it maybe could have been I still recommend checking it out if you are looking for a good new horror. It is absolutely not as graphic or disturbing as the internet will have you believe but it is worth watching.

Spoilers

There's so much wrong with this movie.. I felt so icky afterwards I wanted to take a shower and cleanse my mind with another viewing of _Booksmart (2019)_, but it was already too late and I had to go to sleep. **A couple of thoughts:** - I actually liked the beginning, because I thought this was going to be some sort of stalker story (which it kind of is, I guess) and I wanted to figure out Charlotte's (**Allison Williams**) motive - jealousy seemed to be too simple. - Lizzie (**Logan Browning**) basically "traded" one abuser for another? Anton (Steven Weber) gains her trust, manipulates her mind, then violates her body and calls it a gift, because that's the only way to reach "The Perfection". Charlotte gains her trust, manipulates her mind, then violates her body and calls it salvation, because that's the only way to see the truth - which we then should accept as female empowerment? - On one hand (no pun intended, seriously) the writers and producers of this film seem to have lived in a bubble for the past couple of years when it comes to the #MeToo movement and such, because this is a rape revenge massacre at its most exploitative. - On the other hand I wonder if they drew inspiration from some of the most prominent sexual abuse cases that have become public in recent years. The tattoo? Reminded me about this NXIVM sex-cult who branded their victims. The institutionalized sexual abuse of talented girls? Reminded me about those hundreds of female USA Gymnastics athletes, who were abused by their trusted physician. The assault was so subtle and full of plausible deniability that the victims weren't even sure whether they were actually abused. In the movie the abuse is portrayed as some sort of gross religious ritual, with the victims sitting on a stage, strapped to a chair - which we should accept has been going on under the radar for decades? - But it has a mixed-raced lesbian couple who not only survives but is also making out and the two actresses were even part of the editing process of the sex scene (I guess to make sure it isn't too male-gazey?), so :fist: to progress, or whatever. I honestly would have profited from some trigger warnings before watching this, so be aware of the following content: Bugs, delusional parasitosis, vomit, suicide, amputation, ableism, paedophilia, child sexual abuse, (threat of) rape and gore in general.

Some movies leave you wondering what you just watched, and The Perfection is definitely one of them. It starts as an elegant drama about two cello prodigies and, without warning, turns into a wild mix of twists, blood, and madness. Shepard blends genres as if there were no rules — jumping from psychological suspense to body horror, from satire to pure delirium — and he does it with almost insolent confidence. Logan Browning and Allison Williams are both excellent, especially in the way they shift tone without ever losing credibility. There are moments so absurd they almost become funny, but that’s exactly the point: the movie knows what it is and plays with the audience like part of the experiment. Blink, and you’ll miss something… but don’t worry, it’ll rewind and show it again from another angle. Yes, it’s explicit and, at times, disturbing. But it’s also hypnotic, visually powerful, and full of energy you don’t often find. Shepard films excess with taste and turns the grotesque into something almost refined. It’s a ride without brakes — unpredictable, provocative, and impossible to look away from. The Perfection doesn’t try to please everyone; it wants you to feel uneasy, to react, to think. And it succeeds. Not perfect, maybe, but absolutely fascinating.

70/100 A cello master, forced to leave a special school to care for her mother, returns 10 years later and befriends the current protege. What happens next is a totally unique and seriously bizarre, sick and twisted journey that takes you firmly down one path to an obvious conclusion only to jerk you around. I wasn't quite sure how to take it - some scenes seemed to drag on and I wasn't sure where it was going - but the final payoff was well worth the trip and brought everything together ...although not in a way you'd ever expect. -- DrNostromo.com

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