CinemaSerf

0/10

Wealthy widower "Fielding" (Joel McCrae) hires "Miss Howard" (a rather bland Gail Russell) to be the governess to this children - the rather obnoxious "Barnaby" (Richard Lyon) and the rather more benign "Ellen" (Nona Griffith). The young boy likes to wind her up, he has secret telephone conversations and those, coupled with stories about a mysteriously empty house next door, set the scene for a rather torrid time for the young woman who is gradually falling - "Jane Eyre" style - for her boss. He is friendly with a local doctor (Herbert Marshall) and she is befriended by "Marian" (Isobel Elsom) but can either of them help to assuage her incrementally increasing fears as she is certain that something terrible has happened - and may be about to happen again! McCrae doesn't actually feature so much here and when he does he isn't quite the character he needed to be to make this rather ordinary story deliver. The young Lyon is probably the stand-out actor - he really does manage to get under the finger nails, but otherwise it's all rather too easily guessable with performances that are very much join-the-dots. Eighty minutes felt quite long, and though it's not dreadful, it's just all a bit routine with shades of "Gaslight" (1944) to it.

John Chard

0/10

Salem Alley Shenanigans. The Unseen is directed by Lewis Allen and collectively written by Hagar Wilde, Ken Englund and Raymond Chandler. It's adapted from Ethel Lina White's novel "Her Heart in Her Throat". It stars Joel McCrea, Gail Russell, Herbert Marshall, Phyllis Brooks and Isobel Elsom. Music is by Ernst Toch and cinematography by John F. Seitz. Elizabeth Howard (Russell) is hired as a governess for David Fielding's (McCrea) two children. With David being secretive and strange occurrences happening, she begins to unravel the mystery of the empty house next door. Foolishly seen as a follow up to the far superior "The Uninvited (1944)", The Unseen is efficient without really rising to thrilling heights. Taken as a mood piece it scores favourably, lots of shadows, cobbled streets, darkened rooms and plenty of suspicious goings on, but as a mystery it falls flat. It gets off to a mixed start, with a grisly murder bogged down by a clumsy narration, from there we are on board with Russell's governess who gets more than she bargained for in her new employment. A number of characters drift in and out of proceedings, but the villain of the piece is evident from the get go, and it builds to a disappointingly flat finale. A sort of weak companion piece to "Gaslight" (original and remake) and "The Innocents", it's not recommended with any great confidence. Those looking for better and similar tonal fare from Lewis Allen are advised to seek out the aforementioned "The Uninvited" and "So Evil My Love (1948)". 5/10